Are you new to the Nashville scene? Our Nashville-based CONNECT Manager Daren, who has lived in Music City for over a decade, rounded up a list of venues that are establishing the current music scene. Read on for the inside scoop.
I think it’s important when embarking on new territory, or maybe when needing a change of scenery, to forge ahead with a solid understanding of the lay of the land. While I do realize that this post exists within my bubble of the city I’ve lived and worked in for around 11 years, I think it’s important for bands, songwriters, and singer/songwriters to play Nashville. Music City cliché aside, there really is a ton of music (so much so that some people specifically seek out places without music) and a ton of people that support it, fans and industry included. This inevitably means there will need to be venues to support these artists. Below is my list of Nashville music venues that are establishing the current live music scene:
Described as “Easy Listening for Uneasy People,” San Diego-based band Well Well Well just released their debut EP ‘What Do We Have Here?” Read on to meet the duo, get the deets on their debut show on September 29th, and more.
What’s up guys? Before we get into it — can you tell us a little about Well Well Well? WWW is myself on guitar/vox and Dan Nichols on bass/synth/drums. Dan has this crazy unique ability to play drums one handed and play the bass keyboard and synthesizer with the other hand simultaneously. The music came quite naturally once our band Barbarian went on hiatus.
Listen to a hand-picked selection of some of our upcoming and established ambient artists.
“Ambient music must be as ignorable as it is interesting” says Brian Eno who first coined the term. Say what you want about a genre that hides in the shadows, but the Spotify “Sleep” playlist is a powerful one, boasting over 1.1 million followers.
As a producer, performer, and multi-instrumentalist songwriter, Dave Thomas Junior’s music has been featured on Vampire Diaries, The Muppets, and more. Read on to learn about his new album ‘Pieces’ that just premiered on PureVolume, his collaboration with Don Diablo, and experience with sync placements.
Give us the breakdown of your new album ‘Pieces.’ Pandora recently added me and they said my music has ‘folk roots, mystical qualities, a subtle use of vocal harmony, acoustic rhythm piano and mixed acoustic and electric instrumentation.’ Which is just about a good description of the new album as I could hope for.
I’m really interested in the technological singularity, so (along with love which I pretty much always write about) a lot of the songs are about the concept of time in some way or another. The idea that things are moving exponentially faster is something that I’ve spent a lot of time thinking about – it seems so amazing and exciting and terrifying to me – so that always makes its way into the songs. Except ‘We Belong Together’ which is purely about Drake’s unrequited love for Rihanna. I saw the video for ‘Work’ and pretty much straight away had the idea for that song. It’s such a tragedy, he’s got it all except the one thing he wants more than anything.
We’re so excited to announce Savannah Lynne as the Winner of the Marriott Rewards® Card Battle of the Bands! After weeks of fan voting, Savannah was selected through an exclusive ReverbNation opportunity to open for country music star Tyler Farr! Read on to learn about her experience.
Hi Savannah Lynne, congratulations on winning the Marriott Rewards® Credit Card Battle of the Bands! You grew up on the islands of Hawaii and moved to Nashville when you were 14. How did both environments influence your music style? Growing up on Maui, I was surrounded by many different types of music which also included country. I found I was drawn more to country than the other genre, however I did listen to many other genres during this time as well which is reflected in my first EP “Aloha Nashville.” After living in Nashville for the past 3 years, the other genres still make their appearances in much of my writing even though I would classify myself as a country-pop artist, I don’t only write country-pop songs. I like many of my songs to straddle so many lines that depending on the producer who cuts the song, they could fall into more than just the country-pop genre.
Norwegian producer and artist Gundelach has been making heads turn since the release of his soul-drenched electronic single “Spiders” late last year, and has been featured by the likes of Pigeons and Planes, NYLON, and The 405. We caught up with him to get the lowdown on the Oslo club scene, the success of “Spiders,” his creative process, and more.
Hey Gundelach, thanks for being part of our series. Before we start, can you tell us about yourself? Hey! My name is Kai, and I am an artist/producer from Norway.
We read you immersed yourself in Oslo’s club scene at the age of 16. What drew you into that specific scene? What was the Oslo club scene like back then and how has it evolved? Yeah, that’s true. The music is what drew me into the scene! The club culture in Oslo is great, it was back then and still is. Now all the best clubs in Oslo have great soundsystems which is cool, the bookings are also better than ever.
Synth-pop singer/songwriter TRACE has been on everyone’s radar for her warm vocals, electronic sounds, and effortless mix of pop and R&B. The likes of Stereogum, Pigeons and Planes, and Indie Shuffle can’t get enough of her and she just premiered her debut EP ‘Low’ on Spotify. Read on to get to the lowdown on Trace.
Hey TRACE what’s good? Thanks for chatting with us! Can you tell us a little about yourself?
It’s my pleasure. And yes. Let’s see. I’m from Southern California, born and raised. Currently call Los Angeles home and want to kind of live everywhere one day. I enjoy personality tests, really good wine and when the weather is somewhere between gray and really gray. That’s probably a good start.
We’re no stranger to Cleveland powerhouse Thaddeus Anna Greene. After being a part of ReverbNation CONNECT’s The Watch List and premiering their single “Heart Out” on The FADER earlier this year, the band has been busy in the studio working on new material and playing as many festivals as possible. Read on to catch up with the band to learn about their new track “In Vein,” upcoming album, and more.
Welcome to our series! Before we get into it, can you guys introduce yourselves?
Thanks for having us. We in this thang. We’re Thaddeus Anna Greene; TJ on lead guitar and lead vocals, Anthony on drums and vocals, Ryan on guitar and vocals, and Matt on bass.
You recently unleashed your soul-drenched groove “In Vein” on The 405. Tell us about the inspiration behind the track.
LOL @ “soul-drenched”. Drenched is such a visual adjective. I like it! First off, thanks to The 405 for liking us enough to premier our music. “In Vein” is a triple entendres of sorts. (TJ) I actually knew a girl who was a junkie, ya know? She was addicted to heroin. Without getting too descriptive, I would see her change when she was high, ya know; but she was so damn pretty! I had never seen drug addiction with a face like that. So the song is kinda from the point-of-views of God and/or higher consciousness and the drugs themselves. Both of those things sort of disgrace this girl and promise her love like no other… Like a tug-of-war, and I’m just sort of watching… in awe.