October marks our 10 year anniversary as a company, and what better way to commemorate the last decade than interviewing our very first artist! Pop songstress Gina Cutillo has been with ReverbNation since day one, and we caught up with her to get the inside scoop on her new single “Keep On” that just debuted at #34 on Billboard Top 40 Mainstream chart, her successful sync placements, how she’s dominated as an indie artist, and more.
Hi Gina, thanks for chatting with us!You just released “Keep On,” an impassioned dance track that is already climbing the charts. It’s #1 Indie Record on New Music Weekly’s Top 40 Chart, #15 on New Music Weekly Top 40 Chart, #53 on MediaBase Top 40 Activator Chart and more (so impressive!). Why do you think this song is getting so much love from radio? Is it better than others or has the fact that you have collaborated with big names influence the radio programmer’s willingness to spin the record? That’s a really great question and the love just keeps on coming as “Keep On” debuted last week on Billboard Top 40 mainstream chart at #34. I feel like I’m living a dream and I suppose I am..you know the one I have been having since I’m 5 yrs old. I think the track is definitely something special, I also believe my resume makes it easier but as they say hard work and timing is key. I had been working hard, networking, performing and being very active on my socials building an online fan base so people were sharing my songs and talking about what I was doing. A radio promoter was sent my ReverbNation page (Thank you Reverb!) He fell in love with my song “Fly (Feel Love Tonight)”. After many conversations and a couple of months we decided to work together. He asked me what else I had (he knew I was in the studio recording the new album) so I sent “Keep On” and that was that! He said “Fly” will be a big hit for you no doubt but this one is a big hit as well as a perfect introduction to who you are as an overall artist. Nothing is a guarantee and radio is hard to break especially for an Indie but I really believed in what I was doing and felt deep down inside there was something really special here.
Dance-pop diva Beca just released “Future Foreigner,” the magical first taste of her forthcoming EP ‘Precious Gold.’ We caught up with Beca to learn about her musical background, collaborative recording process, recent sync placement, and more.
Hi Beca! Thanks for being part of our series! How are you doing today? Hi there! Thanks for having me. I’m great and about to rehearse with my dancers for a show. We’ll be getting everyone dancing and having a good time!
We read that you graduated from The Juilliard School. What was your experience like there? It was pretty incredible. The program and teachers really challenged me and pushed me to my musical edge, while inspiring me to explore different genres and try different sonic spheres. My goal was to gain as big a sound palette as possible. That was my main focus there. Not to mention the students could easily sight read nearly all of my scores.
At what age did you know music was your path? I wanted to do music for as long as I can remember. Around age 5, I picked up songs on the piano at friends’ houses then my parents got me a piano and signed me up for lessons. I was always singing, dancing, playing, and getting my sister and friends to harmonize with me. I also liked to pretend I was the snow queen in the wintertime, just to throw that in.
From venues full of musical history to a cemetery, our LA-based CONNECT Manager Sharyn rounded up a list of her all-time favorite venues in LA. Check out a show at one of these rad places the next time you’re in town.
This is one of my favorite venues in the country. Playing the Troubadour is a milestone for any artist. The room has an amazing vibe to it, in part because of its astounding history: Elton John, James Taylor, Carol King and Tom Waits all started off there. Big name acts like Guns N’ Roses, Nine Inch Nails, The National, etc. have been known to do underplays.Troubadour always has great bands coming through, impeccable sound and if you’re tired of standing you can go watch the show from the row of church pews upstairs.
Over the last few months we've been working with our artists to create 360º videos of their shows to bring immersive concert experiences to their fans and fellow artists alike. We recently filmed genre-blending sextet Little Tybee at King's Barcade and had the chance to chat with the band to get their perspective on 360º technology.
Find out what the Atlanta-based band thinks about 360º technology and how it will affect the music industry in the interview below:
With a haunting new single that just premiered on Team Coco, a live album due out in January, and a slew of shows coming up, Nashville-based rock band Future Thieves belong on your radar. We chatted with the guys to get the 411 on what it was like to record their live album at Blue Rock Studio, their evolution as a band, and more.
Hi Future Thieves! Before we get into it, can you introduce yourselves?
Well first we have Elliot Collett from Eastern Kentucky on guitar and lead vocals, Austin McCool on guitar and Nick Goss on bass, both from Southern Indiana, and Gianni Gibson from Los Angeles on drums.
Congrats on premiering “Ghosts” on Team Coco (Conan O’Brian)! What’s the story behind the track?
Thank you! What a thrill to be on his website, we’ve always loved Conan. The track came from a riff Austin had on guitar and it evolved into a poppy, groovy song. The lyrics mention a bit about some darker subjects, such as the “early ghosts” bit. But overall we wanted a clean, well put together song that floats around for the most part and punches in the chorus.
A few tips and suggestions on how to stay focused as an artist vying for a successful music career.
I too often encounter artists and bands who are obsessed with their musical career. Any driven individual could be described as ‘obsessed’ which I think is great, as long as your focus is on the music and honing your craft. I find that many young artists are too distracted by self-managing tasks and get bogged down in areas that take away from the very thing that will make you successful; creating impactful, deep and innovative new music. Here are some tips for staying focused:
Australian producer and singer Julian Maverick has been making waves with his infectious tropical pop sound that has praised by the likes of Hype Machine, Indie Shuffle, Acid Stag, and more. We caught up with him to get the deets on his latest single “Move Your Magic,” production history, and more.
Hey Julian Maverick! Thanks for being part of our series. Can you give us an introduction to Julian Maverick? It was a solo project I started to combine my own songwriting and production. A project where I didn’t have to be limited to a genre and where I could explore all different styles.
First impressions are everything and your band bio gives people a first glimpse of what you’re all about. Our CONNECT Manager, Sharyn, who has written countless bios gave us some quick tips for how to make yours stand out.
DON’T overestimate the reader’s attention span. Keep it short and sweet – think one to two paragraphs max.
DON’T let writing intimidate you, reach out to your writer friends for advice
DO hook the reader in with the very first sentence
DON’T use cliche phrases like “hails from” or “we sound like (insert band name) and (insert another totally different band) had a baby. Be original.
DO create a strong, unique tag line for your band that press can latch onto like “disco pop princess” or “post-millennial Billie Holiday”
DO find a compelling story line about your life and music that sets you apart and build the bio around this