The Cheap Thrills are a garage/psych pop band from Liverpool, UK. Their sound is a combination of garage bands from the sixties and a resurgence of bands from the 2000s.
It’s that same sound that caught the attention of End Of The Trail Records, who they signed to after submitting to one of our opportunities. According to the label, what attracted them to the band were their songs.
“Pop psych at it’s best we think. At the time of writing they have just had their new single played on BBC Radio 6 by the mighty Steve Lamacq. Which is a great thing for any band in the UK!!!”
Check out this interview with The Cheap Thrills where they share the secret to getting promoters to book you, how to build up hype around your band, and what’s up next for them.
Anyone who is serious about making music knows that it takes more than great songs to become successful. If you want a meaningful career in an industry as competitive and tumultuous as music, you’ll have to develop skills that have nothing to do with writing, performing and recording songs. But while every band brings different talents and skillsets to the table, there’s some things that your band simply won’t be able to do well without help.
Money is a topic that lots of bands go to great lengths to avoid, and it’s easy to see why. Finances can be tricky on an individual level, but in the context of a band, discussions centered around money can range from awkward to downright awful. But while it can be tough for some bands, having honest discussions about money simply have to happen if you’re serious about making music.
In music, collaboration is usually seen as something that can only be good and helpful to musicians, but that’s not the case for every project. Every musician is completely different, and while some artists work best by sharing and developing ideas with other people, others thrive in a space where they have complete say over how to make music.
Guest post by Rotor Videos, a ReverbNation Marketplace participant who makes it easy and affordable to create your own video content.
With so much content out there, it’s getting harder and harder to keep your audience’s interest. Text and images just don’t cut it, particularly when it comes to music. You need to give your fans a reason to engage and a reason to stay.
With YouTube being one of the largest music streaming services, and now Facebook and Instagram focusing heavily on videos, it’s no surprise that video content is required regularly and in a variety of formats in order to capture attention. Here’s some staggering stats about video:
Let’s face it. Even if your band is commercially successful, you’ll still have to do some non-musical work from time to time in order for things to run smoothly. And if your band is small and trying to make a name for itself, then there’s no getting around the fact that non-musical work will have to be a huge part of your day to day lives if you’re serious about making music and trying to share it with people.
Lots of young, ambitious musicians start bands with the expectation that they’ll get to do nothing but write and perform music, but while it’s great to be passionate about the musical aspects of being in a band, that attitude will make it virtually impossible to play shows, build a fanbase, and get the word out about the music you care so deeply about. Discovering your band’s non-musical strengths and applying them to tasks like booking shows and contacting press is essential for artists who want to make music a career.
Since impulsivity and music often go hand in hand, it can be tempting to make quick, on-the-spot decisions when it comes to how you make, perform, record, and promote your music. Feeling comfortable and confident with the way you make decisions is pretty important in the songwriting arena, but ironically, giving your instincts too much of a say in matters other than music-making could end up significantly hurting your band.
In my decade of experience playing music around the country, I’ve noticed a strange similarity in many of the musicians I’ve encountered. Lots of active musicians I’ve met firmly believe their music scene is bad or that it used to be good and has somehow lost its luster over the past few years. Being in a young, ambitious band, I used to relate to these negative sentiments as it can often feel hard to find acceptance and support from a music scene when you’re new and trying to prove yourself. But over the years, I’ve come to realize that no, there’s not a widespread worsening of music communities across the nation, but instead a problematic issue with the jaded attitudes often found in the musicians who form music scenes.