Electronic drums have become the new standard for most popular genres of music, from hip-hop to pop to EDM. Several of the world’s biggest artists go on tour without a drummer — something unimaginable just a few decades ago. Drums are still an integral part of popular music, but instead of an actual drummer on an acoustic kit pounding out the beats, it’s usually a producer hunched over a laptop.
However, that doesn’t mean acoustic drums don’t have a place in modern music. Obviously genres like rock and country still use drummers. But for producers that are used to working with 808s and digitally-created percussion, there are plenty of benefits of blending acoustic drums with electronic drums. Though, it’s important to make sure blending the two is done smoothly. Otherwise, the contrast can be overbearing, sloppy, and inorganic. Here are five ways to blend the two:
Cover bands can be a lucrative side gig for musicians today. Many corporate events, weddings, or private parties book them for a flat rate, i.e., no door percentage, nothing contingent on merch or drink sales, which equals more take-home pay in most cases.
Like any musical venture, though, there are many things to consider before committing to a cover band; use this list to think it through.
We all know that touring has the potential to do some game-changing things for bands. In addition to getting a band tighter and more experienced musically, the right tour has the potential to bring industry attention and exposure to fans. But what’s often not talked about is the benefits serious touring can give to the individuals behind the band. Traveling can open up a person to incredible things they couldn’t have seen or experienced sitting at home. Unless you’re incredibly lucky and financially successful, touring is an unglamorous affair, but it’s also a fantastic way to see the country. We’ve assembled five gorgeous routes to take on your next tour through the United States. Some of these routes are off the beaten path, but are well worth exploring if you’ve got time to kill.
I’m going to let you in on a little secret. I’m going to tell you about a tool that is incredibly powerful in connecting with your audience, and yet completely underutilized particularly in the world of musicians. It has the power to bring forth laughter, tears, reflection, happiness, and most of all, it evokes a sense of connection from the reader to the writer.
I’m talking about blogging.
The power of words is not to be underestimated—beyond their daily use in our lives, we use them all the time in our careers. Every time we craft an email, post to our social media, or send out our newsletter, we’re harnessing the power of words to connect with our audience.
And yet for some reason musicians overlook blogging as one of the most powerful ways to connect with their audience.
As an indie artist, most of the time you end up doing everything yourself from recording your album to taking your own band photos to promoting your new release. One of those do-it-yourself items is creating your album artwork. You may be thinking “but I’m not a designer” or “I don’t know how to use Photoshop.” An alternative route would be to pay a graphic designer to put something together for you. But what if that’s not in your budget?
In this tutorial, I’m going to show you how to create your album artwork for free using a website called Canva. With Canva, you don’t have to know how to use Photoshop or pay a graphic designer. It’s very user-friendly and they even have templates you can use for social posts, album artwork, gig posters, and lots more.
Online advertising is a great way to get more exposure and build your brand as an artist. At ReverbNation, we have a tool for that called Promote It. For as little as just a few dollars per day, you can promote a song, an album, a video, a show, or a website on Facebook or on popular music sites, for example, Amazon, Billboard, Pitchfork, Rolling Stone, MTV, and many more. It’s also quick and easy to put your ad together.
Promote It is one of our most popular tools and has been around for awhile, but we recently just rolled out a brand new user experience along with some new features. Let me take you through it:
Songs have told stories from the beginning of time; whole cultures passed down their traditions via melodies taught to generation after generation. But, sometimes, it pays to be a bit more straightforward when you’re a modern-day songwriter and trying to help people understand who you are and where you come from.
Keep writing those introspective songs, but also try incorporating these six ways of using storytelling outside of your lyrics to dig a little deeper.
One of the most essential mixing tips when working with low frequencies is to exercise the “less is more” approach. These days, low frequencies are more pronounced than ever in popular music, with hip-hop and EDM-inflected pop dominating the charts. But in order for the low frequencies you want to shine, you need to tame the ones you don’t want. The human ear can only hear so many frequencies, but luckily, digital audio workstations give us helpful tools like EQ spectrums so we can see where our audio is landing on the frequency scale.
A beefy 808 should be most pronounced below 200Hz — whereas a hi-hat really has no good reason to have frequencies in that below 200Hz area. No one is listening to a hi-hat for the low-end, just like no one is listening to an 808 for frequencies above 10,000Hz. When the two start to get in each other’s lanes, the mix can start to mud and feel cluttered. But it doesn’t have to be that way. A smart producer and/or mixer will know to tame unwanted low frequencies in instruments that don’t call for a pronounced low end, such as most hi-hats. So, let’s get into the weeds about when and why you should tame those unwanted low frequencies.