Music is, was, and probably always will be an often brutal and thankless career path for most musicians. Summing a musician’s struggle up as lots of work for not much money would be way too simple because for serious songwriters and musicians, the emotional toll of trying to forge a path in music proves to be emotionally unbearable from time to time. For most musicians, money is secondary to their passion, but rejection after rejection and the creeping feeling that an artist’s sacrifice, talent, and work won’t ever amount to anything is often so damaging that it makes even the most promising musicians question themselves. Learning to cope with disappointment is not an option if you love making music and want to share it with people.
As we have previously discussed, a copyright is first owned by its author (whether individually or on a “work made for hire” basis). Like with any other property, the author can transfer ownership of a copyright (in whole or in part as a fractional portion) to another person or party. However, copyright law has specific rules governing such transfers.
“There are only two ways to influence human behavior: you can manipulate it or you can inspire it.” -Simon Sinek, “Start with Why”
You’ve heard it over and over again—one of the most powerful tools you have in this industry is yourself. Your music might be great, but that’s not what keeps people coming back for more. It’s your personality. It’s your beliefs. It’s the way you share pieces of yourself and by doing so invite your fans to feel less alone in their own actions, decisions, and understanding of the world. Here are some tips on how to build your tribe and get more fans.
With playlist culture continuing to shape music consumption in massive and surprising ways, it might be tempting for artists to not put much thought into the art they release alongside their singles, EP’s, and albums. But associating your music with the wrong kind of visual accompaniment could be hurting your chances of reaching new listeners. Here’s why you should still care about visuals in music:
Knowing how to best present yourself on stage can be a tricky endeavor. For some artists, being funny and personable plays really well on stage, but other artists are better off shutting their mouths and letting their music speak for themselves. Stage banter isn’t something that can be practiced like music, but it does have the potential to ruin your set if it’s done the wrong way. Here’s how:
So you’ve made your new album, booked your release show, and are ready to show the world what you’ve been working on. You’ve thought about hiring a publicist but for whatever reason, it just isn’t in the cards right now, so you decide to handle the PR side of things yourself. You sit down, ready to get to work, and start showing these music writers what they’ve been missing, when all of a sudden you freeze.
Every DAW (Digital Audio Workstation) will come with a large slew of effects and built-in plug-ins. Depending on how long you have been producing, you have already started downloading additional plug-ins outside of the native ones that come with your DAW of choice. Whether you just bought the full Waves plug-in bundle or you’re still experimenting with your native effects, you’re going to end up with a few choices that will certainly land in your go-to folder. Typically, producers and mixers will have their favorite reverbs, compressors, EQs, and basic effects racks. While it is arguably better to master a few plugins than to poorly use hundreds of them, there are pros and cons to using the same effects over and over.