If you take epic piano riffs and dreamy synths, then mix them with influences like 80’s horror movies and Neil Young, you get The Leones. Hailing from Buffalo, NY, they dub their sound “ghost-gaze,” which is a great way to describe their haunting, cinematic sound.
The Leones submitted their song to one of our opportunities where they were picked from thousands of bands to be signed to End Of The Trail Records. We spoke to them about how they got started, the submission process, and what’s next for them.
He’s been described as a “15-year-old folk hero of the future,” a “wunderkind,” and an “Americana prodigy,” while simultaneously holding on to his teenager-ness; hanging with friends, playing video games, and skateboarding different spots. Sammy Brue just released his debut album, I Am Nice, on Friday, June 16th, and the Portland, Oregon native is undoubtedly about to become a household name. We spent some time with him, asking questions about life as a young artist, musical inspiration, and the grabbing inside scoop on that infamous hat of his.
Quick thought experiment – you’re a DIY rock ‘n’ roll band from the same area of Massachusetts that produced The Pixies and Dinosaur Jr. and you’re trying to pique the interest of indie labels. You’ve released an album, done a bit of regional touring, got a strong fan base going and some press attention. Ok, what do you do now? Blast pitches all over the place to a bunch of “info@” email addresses? Tag every indie label in the known universe in your album cover art Instagram pics? Now put yourself on the other side of the equation – you’re an indie label constantly on the hunt for fresh talent. You have a rock solid reputation but limited budget and resources. How do you navigate the crowded waters of new music while still developing your current artists? The answer for both sides – queue the self-promotional back-patting for a quick moment – is ReverbNation. This is the story of LuxDeluxe and Old Flame Records, as told by them, with inspiration for any musicians out there looking to make the next big move.
10 points if you can tell us where Denton is…If not, no biggie, that isn’t the goal of this anyways (sorry, geography nerds). We’re here to shine a light on cities with killer music scenes that aren’t NYC, LA, or Nashville, the ones that don’t get nearly enough love as they should. Come take a trip with us.
Did you know that the hairstyle parked on top of your head controls your mind and music taste? It actually doesn’t, but what if it did? We recently performed a hair follicle analysis (as music companies do) to create haircut soundtracks. Hair are the results.
Ozzy Osbourne. Aerosmith. Zac Brown Band. Kid Rock. The Doobie Brothers. These are just a few legends who have performed at the world’s largest motorcycle festival, Sturgis Buffalo Chip, and this year 5 bad-ass ReverbNation bands will be selected to play at the nine-day festival. The Best Party Anywhere® is located three miles east of Sturgis, SD, on 600 scenic acres of open land. Sturgis isn’t like any other festival; audience members rev their engines to show their approval of an artist, there are nonstop bike races and art exhibitions, and even though you’ll run into people from all walks of life, there’s a huge sense of solidarity.
For an emerging band this can be quite a memorable experience, and that’s why we got the scoop from festival organizer, Daymon Woodruff, on some essential things every artist needs to know before heading to Sturgis Buffalo Chip: have few good covers in your arsenal, consider playing more than one night, read the Essential Guide, and most of all don’t be scared to get a little dirty and have A LOT of fun.
Award-winning independent record label The End Records is on the hunt for unsigned artists via a ReverbNation opportunity. Based in New York, NY and led by CEO Andreas Katsambas, The End has represented a diverse roster that includes Billy Talent, Rich Robinson (The Black Crowes), Alien Ant Farm, Better Than Ezra, HIM, tAKiDA, The Zombies and more. With nearly two decades of experience building acts both local and Platinum, the label recently made headlines with the July 2016 announcement of its catalogue acquisition by BMG Rights Management. We hooked up with Andreas Katsambas, CEO and founder of The End Records, to learn how the label has helped underground artists, what criteria they look for in artists, and advice for emerging artists who are trying to break into the music business.
With a Independent Music Awards nomination and a new album out, Alabama-based garage rock band The Dirty Clergy needs to be on your next playlist. We caught up with the guys to get the lowdown on their new album Rattlesnake, Alabama music scene, influences, and more.
Hey guys! Let’s start off with a little introduction. Who is The Dirty Clergy?
The Dirty Clergy is a garage rock band from Winfield, AL. We began as a folk rock duo and that got boring really quick, so we blossomed into what we are now. A pretty loud, 5 piece, rock band.
Congratulations on being nominated for Best Indie/Alternative Rock Album of the Year at Independent Music Awards! Have you ever received a nomination before and what was your experience like?
This was our first nomination for any type of award. It was a nice experience. The people behind the IMA’s are super nice and they put on a great program for independent artists. They are really dedicated to helping boost the artists to the next level. It’s well organized and is held at the Lincoln Center each year. I look forward to working with these guys more and snagging some of those awards soon. Aside from the 32 hour drive up there and back in such a short period of time, everything was great.
What is the concept behind your Rattlesnake album?
It’s basically just taking you through the steps of a relationship. It’s not really arranged chronologically, but if someone wanted to attempt to put those songs in order they could. It’d take some lengthy listening though.