Did you know that the hairstyle parked on top of your head controls your mind and music taste? It actually doesn’t, but what if it did? We recently performed a hair follicle analysis (as music companies do) to create haircut soundtracks. Hair are the results.
With a Independent Music Awards nomination and a new album out, Alabama-based garage rock band The Dirty Clergy needs to be on your next playlist. We caught up with the guys to get the lowdown on their new album Rattlesnake, Alabama music scene, influences, and more.
Hey guys! Let’s start off with a little introduction. Who is The Dirty Clergy?
The Dirty Clergy is a garage rock band from Winfield, AL. We began as a folk rock duo and that got boring really quick, so we blossomed into what we are now. A pretty loud, 5 piece, rock band.
Congratulations on being nominated for Best Indie/Alternative Rock Album of the Year at Independent Music Awards! Have you ever received a nomination before and what was your experience like?
This was our first nomination for any type of award. It was a nice experience. The people behind the IMA’s are super nice and they put on a great program for independent artists. They are really dedicated to helping boost the artists to the next level. It’s well organized and is held at the Lincoln Center each year. I look forward to working with these guys more and snagging some of those awards soon. Aside from the 32 hour drive up there and back in such a short period of time, everything was great.
What is the concept behind your Rattlesnake album?
It’s basically just taking you through the steps of a relationship. It’s not really arranged chronologically, but if someone wanted to attempt to put those songs in order they could. It’d take some lengthy listening though.
By combining R&B and hip-hop, LA-based singer/songwriter and rapper Young Scrap will have you listening to his tracks on repeat with his unique style of “Trill And B.” We caught up with him to get the deets on his latest album, what it’s like to perform with Nipsey Hussle, 21 Savage and Trey Songz, what advice he’d give aspiring hip-hop artists, and more.
Hey Young Scrap! Before we get started tell can you tell us little about yourself?
I’m a singer, rapper and songwriter from Inglewood, California that’s a huge video game nerd and grew up in love with music. Lol
We read you grew up in Inglewood, CA and later moved to Maryland. Both cities have had a major influence on hip-hop culture. How has living in both cities influenced your style?
Maryland taught me about a style of music they call “go-go” and “club” since I’m right in the middle of D.C. and Baltimore. It gave me a major chance to soak up both influences and utilize them sometimes in my music.
How do you describe your sound and what kind of message are you trying to send to your fans?
My sound I call it “Trill And B” it’s a mix of R&B and hip-hop that’s heavily influenced by the Houston sound of rap. As far as my message I wanna promote 90’s love…nobody’s in “love” anymore. Everybody just wants sex. Or at least according to music and artist today…I’d like to change it back to how it used to be. Peace, love and positivity.
Get to know Brooklyn’s music/art collective, Dead Leaf Echo! We chatted with the group to get the deets on their new cassette, I WILL Do Anything Tour, influences, and more.
Hey Dead Leaf Echo, introduce yourselves. We are LG: Guitar,Vocals Ana B.: Guitar, Vocals Kevin K: Drum Steve S: Bass
You recently premiered “sparks.fly.from.a.kiss” on IMPOSE who called it, “Badass, sensual, and intense, this track is something we intend to play at our next big party.” What’s the story behind the track? That’s a last minute B-side that was added to the tape. It was created in the studio with a drum machine and one guitar. The lead off track “I will do (anything)” (premiered on Brooklyn Vegan) was recorded at Mexican Summer’s studio Gary’s Electrical with Jorge Elbrecht (Ariel Pink, Violens) we tracked it there almost 2 years ago! It’s nice to finally release something after such a long time.
What’s the concept behind split cassette with Did You Die? We played this wild techno party in Vancouver with them before the van broke down in British Columbia. It was ultimately the last show of our west coast tour last year. We knew there was something special there and they had suggested we do something collectively together. We have these 2 tracks that aren’t going to be on our new album so it worked out perfectly for this tape release. Plus we’ve never released any music on that format so that’s cool.
October marks our 10 year anniversary as a company, and what better way to commemorate the last decade than interviewing our very first artist! Pop songstress Gina Cutillo has been with ReverbNation since day one, and we caught up with her to get the inside scoop on her new single “Keep On” that just debuted at #34 on Billboard Top 40 Mainstream chart, her successful sync placements, how she’s dominated as an indie artist, and more.
Hi Gina, thanks for chatting with us!You just released “Keep On,” an impassioned dance track that is already climbing the charts. It’s #1 Indie Record on New Music Weekly’s Top 40 Chart, #15 on New Music Weekly Top 40 Chart, #53 on MediaBase Top 40 Activator Chart and more (so impressive!). Why do you think this song is getting so much love from radio? Is it better than others or has the fact that you have collaborated with big names influence the radio programmer’s willingness to spin the record? That’s a really great question and the love just keeps on coming as “Keep On” debuted last week on Billboard Top 40 mainstream chart at #34. I feel like I’m living a dream and I suppose I am..you know the one I have been having since I’m 5 yrs old. I think the track is definitely something special, I also believe my resume makes it easier but as they say hard work and timing is key. I had been working hard, networking, performing and being very active on my socials building an online fan base so people were sharing my songs and talking about what I was doing. A radio promoter was sent my ReverbNation page (Thank you Reverb!) He fell in love with my song “Fly (Feel Love Tonight)”. After many conversations and a couple of months we decided to work together. He asked me what else I had (he knew I was in the studio recording the new album) so I sent “Keep On” and that was that! He said “Fly” will be a big hit for you no doubt but this one is a big hit as well as a perfect introduction to who you are as an overall artist. Nothing is a guarantee and radio is hard to break especially for an Indie but I really believed in what I was doing and felt deep down inside there was something really special here.
Dance-pop diva Beca just released “Future Foreigner,” the magical first taste of her forthcoming EP ‘Precious Gold.’ We caught up with Beca to learn about her musical background, collaborative recording process, recent sync placement, and more.
Hi Beca! Thanks for being part of our series! How are you doing today? Hi there! Thanks for having me. I’m great and about to rehearse with my dancers for a show. We’ll be getting everyone dancing and having a good time!
We read that you graduated from The Juilliard School. What was your experience like there? It was pretty incredible. The program and teachers really challenged me and pushed me to my musical edge, while inspiring me to explore different genres and try different sonic spheres. My goal was to gain as big a sound palette as possible. That was my main focus there. Not to mention the students could easily sight read nearly all of my scores.
At what age did you know music was your path? I wanted to do music for as long as I can remember. Around age 5, I picked up songs on the piano at friends’ houses then my parents got me a piano and signed me up for lessons. I was always singing, dancing, playing, and getting my sister and friends to harmonize with me. I also liked to pretend I was the snow queen in the wintertime, just to throw that in.
With a haunting new single that just premiered on Team Coco, a live album due out in January, and a slew of shows coming up, Nashville-based rock band Future Thieves belong on your radar. We chatted with the guys to get the 411 on what it was like to record their live album at Blue Rock Studio, their evolution as a band, and more.
Hi Future Thieves! Before we get into it, can you introduce yourselves?
Well first we have Elliot Collett from Eastern Kentucky on guitar and lead vocals, Austin McCool on guitar and Nick Goss on bass, both from Southern Indiana, and Gianni Gibson from Los Angeles on drums.
Congrats on premiering “Ghosts” on Team Coco (Conan O’Brian)! What’s the story behind the track?
Thank you! What a thrill to be on his website, we’ve always loved Conan. The track came from a riff Austin had on guitar and it evolved into a poppy, groovy song. The lyrics mention a bit about some darker subjects, such as the “early ghosts” bit. But overall we wanted a clean, well put together song that floats around for the most part and punches in the chorus.
Chicago-based producer Owen Bones recently premiered his latest single “Mach One” on Pigeons and Planes who described it as one of his finest displays of production. Read on to get the lowdown on the collaborative process behind “Mach One,” his upcoming debut album Dive Club, Spotify experience, and more.
Hey Owen Bones, thanks for be part of our series. Can you tell us a little about Owen Bones and is that your real name? Thanks for inviting me! My real name is Owen *Jones* (clever, I know). Owen Bones is a bit like my alter ego. He does things I might not.
Pigeons and Planes just premiered “Mach One” the lead single off your debut album Dive Club and described it as one of your finest displays of production. Tell us about the track. The beat was made earlier in the year in one sitting, and I knew right away that it had some special qualities. A close friend of mine was sitting in while I made it, and we imagined it might sound a bit like the inside of a spacecraft during intergalactic travel…the theme stuck, and the name was saved. When picking beats for the full project, I had been listening to a lot of Tunji, and I thought his voice fit. Same with Aaron – he was actually the first person to hear the beat.