We’re back with the fifth and final installment in the mixing masterclass entitled Mix Resolutions: 10 Tips for Creating Better Mixes from the team at iZotope. Step your mixing game up with insider advice from a GRAMMY winning mixing engineer and professor at Berklee College of Music.
Going on an international tour as a support artist is a once-in-a-lifetime opportunity and it’s something that most musicians aspire to do at some point in their careers. Performing overseas allows you to connect to a new audience and new industry professionals, make new friends, and gain valuable experience. The exposure can be amazing, the memories will last a lifetime, but it’s a big endeavor that requires A LOT of planning. That’s why we asked our friends Empathy Test – who are no strangers to the road – to share some of their expert advice.
If you’ve been doing this music thing for more than a minute, you’ve probably met a few music journalists or have a shortlist of writers with whom you’d love to work. You also probably have a general idea about what they do and what they expect. But there are a few things you’ve likely never thought of.
I’ve been a working music journalist for six years now, and there are definitely some trade secrets that would benefit every musician. These five tidbits will prepare you to go into your next interaction with a music journalist answers a’blazin’. Take notes!
We’re back with the fourth installment in the five-part mixing masterclass entitled Mix Resolutions: 10 Tips for Creating Better Mixes from the team at iZotope. Step your mixing game up with insider advice from a GRAMMY winning mixing engineer and professor at Berklee College of Music.
Award-winning independent record label The End Records is on the hunt for unsigned artists via a ReverbNation opportunity. Based in New York, NY and led by CEO Andreas Katsambas, The End has represented a diverse roster that includes Billy Talent, Rich Robinson (The Black Crowes), Alien Ant Farm, Better Than Ezra, HIM, tAKiDA, The Zombies and more. With nearly two decades of experience building acts both local and Platinum, the label recently made headlines with the July 2016 announcement of its catalogue acquisition by BMG Rights Management. We hooked up with Andreas Katsambas, CEO and founder of The End Records, to learn how the label has helped underground artists, what criteria they look for in artists, and advice for emerging artists who are trying to break into the music business.
You’ve put in the work, slogged through all the rewrites, did all your mastering, and now it’s album release time. You have a show booked within the next month, so logic states you should make it the record release show and your official release date. Not so fast. If you’re looking for more exposure on your music beyond the traditional friends and family who come to every show, you need to be strategic. Your band is your business, and like any successful business you need to create a plan for your album launch. If you’ve invested your time and money into the recording, don’t you want to make sure it’s heard by as many people as possible?
Below are considerations we make for every album launch to insure the greatest likelihood of success, and they form a blueprint any artist can follow.
If you break live streaming down into its core components – a performer, an audience, and a camera in between them – the fast-growing method of communication looks an awful lot like a source of entertainment. Why else would 100 million people go online every month to watch someone play a video game? But I’m here to tell musicians looking to find success through live streaming that it’s NOT all about entertainment.