Most musicians know that rejection is part and parcel of working creatively in any medium, but that doesn’t make the sting any less discouraging when things don’t go your way. Whether it’s being turned down for a show or releasing music that listeners don’t seem to resonate with, some artists experience rejection so acute and devastating that it causes them to stop making music altogether. But while nothing can remove the pain a musician feels when things don’t go the way they’d hoped, all creatives can––eventually must––use rejection as a tool for success and artistic survival.
For songwriters who deeply resonate with the music of artists they love, it can be tempting to work out of the same playbook of your musical idols. But because music that embraces new ideas almost always proves to be the most impactful, imitating your musical influences is a bad idea. Here’s a few other reasons why you should develop your own musical ideas and not those of songwriters that have influenced you:
Lots of potentially phenomenal songwriters often fantasize about writing music but can’t bring themselves to write a song. For some, the problem is rooted in a lack of confidence and the paralyzing fear of being made vulnerable through music. But for other musicians, a complete lack of knowing what to write about is the culprit.
Knowing what to write songs about can be a challenge even for experienced songwriters, so this is a problem that plagues most writers eventually. Here’s five tips designed to help get you thinking about what to write about in your music:
Ah, the dreaded bad review. Even the most talented and successful songwriters often question themselves after reading a negative write-up about their music, but negative reviews are especially potent when they’re aimed at new and up-and-coming bands. No matter who you are and what kind of music you make, bad reviews and harsh opinions about what you’re doing are an inevitability, and crafting your music a specific way to please critics will only make your music worse. So, what do you do when a bad review comes along?
Whether songwriters like it or not, critics and tastemakers representing blogs and media outlets are a major part of how music is vetted, marketed and sold, and that’s not likely to change anytime soon. With how important music criticism is to the success and longevity of a release, it can be tempting for writers to try and make their music sound like something they think will please critics, but they shouldn’t. Here are three reasons why:
How many half-finished songs or killer ideas do you have collecting digital dust on a hard drive?
Getting started on a new song or project is easy. Finishing it and setting it into the world is much harder.
When inspiration comes it’s magical. But all too often it takes months or years from that first moment to reach a release-ready master. In some cases, it’s taken me so long that just the thought of that session file made me anxious.
The creative process is a constant battle between too many good ideas and not enough resources and motivation to see them through the finish line. Ironically, the more songs you actually finish, the better your songwriting or production will become.
SoundBetter, a member of the ReverbNation marketplace, has helped tens of thousands of artists finish their tracks and albums by connecting them with the best music production talent in the world that work with them to create amazing-sounding songs.
Here are 10 tips on getting your song to the finish line:
If you’re a serious songwriter, you’re probably used to wrestling with the beasts of routine and boredom every so often. Even songwriters brimming with talent and promise have fruitless writing sessions sometimes. It’s all part of the process. But when a songwriter experiences weeks, months or even years of uninspired frustration with their work, it’s an entirely different story. If this sounds like you, I’ve got some practical guidance that can help break you out of your songwriting rut.
This is the second half of a special Reverb Nation Guide To Music Theory. In Part 1, I taught you how to build and understand intervals and basic chords. If you haven’t gone through Part 1 one of this guide, stop reading this and check that out first. To understand everything in this article, you’ll need to have a basic knowledge of everything I talked about in that first guide.
In this article, I’ll introduce you to scales, Roman numeral analysis, and the circle of 5ths. Having a solid grasp on music theory’s basic concepts can be a huge help to you no matter what your unique experience and background in music is, and by the end of this guide you should have more than enough information to be able to wrap your head around the ideas that govern music. Let’s jump back in.