Unless the music you make is purely instrumental, the tone, felling, and narrative of the lyrical content in your songs is most likely going to be an important part of your musical identity. Depending on the kind of music you make, you might not think lyrics are all that important, but you’d be wrong. Yes, music speaks when words fail, but the stories portrayed in music often do a great deal as far as reaching out and relating to an audience. Approach lyrics with honesty, thoughtfulness, and poetic potency, and you’ll have a proven way to inspire real emotion and understanding from a listener. But all too often, songwriters rely on cliches to help tell the stories in their songs. Here are four lyrical cliches to avoid:
If you’re good at waiting for things, music just might be the career for you. Whether it’s the thought of a young band breaking out after playing together for just a few months or the unprecedented access to a constant stream of new music delivered via playlist, patience is a profoundly impactful asset not nearly associated with music as much as it should be.
No matter who you are and what sort of music you make, learning basic music theory is something that can absolutely change the way you think about songwriting for the better. Sheer songwriting talent, solid instruments, and compositional technology can certainly help you write great music, but nothing can replace music theory knowledge as being the best tool for explaining what music literally is and how it works. Rather than explain what basic music theory is––I already did that in a two-part series you can read here––in this article, I’m making the case for why every songwriter should take the time to master music theory basics.
With a constant stream of analytic information measured in song plays, likes, views, and other stats, it can be tempting to play the comparison game in music. Because this constantly updated information is an important indicator of an artist’s success, it could lead some musicians to constantly compare their numbers to other artists. But while some helpful insights could be gleaned by seeing how well your contemporaries are faring in today’s tumultuous music climate, it’s a bad habit to be constantly sizing yourself up against other artists. Here’s why.
Lots of potentially phenomenal songwriters often fantasize about writing music but can’t bring themselves to write a song. For some, the problem is rooted in a lack of confidence and the paralyzing fear of being made vulnerable through music. But for other musicians, a complete lack of knowing what to write about is the culprit.
Knowing what to write songs about can be a challenge even for experienced songwriters, so this is a problem that plagues most writers eventually. Here’s five tips designed to help get you thinking about what to write about in your music:
Ah, the dreaded bad review. Even the most talented and successful songwriters often question themselves after reading a negative write-up about their music, but negative reviews are especially potent when they’re aimed at new and up-and-coming bands. No matter who you are and what kind of music you make, bad reviews and harsh opinions about what you’re doing are an inevitability, and crafting your music a specific way to please critics will only make your music worse. So, what do you do when a bad review comes along?
Whether songwriters like it or not, critics and tastemakers representing blogs and media outlets are a major part of how music is vetted, marketed and sold, and that’s not likely to change anytime soon. With how important music criticism is to the success and longevity of a release, it can be tempting for writers to try and make their music sound like something they think will please critics, but they shouldn’t. Here are three reasons why:
How many half-finished songs or killer ideas do you have collecting digital dust on a hard drive?
Getting started on a new song or project is easy. Finishing it and setting it into the world is much harder.
When inspiration comes it’s magical. But all too often it takes months or years from that first moment to reach a release-ready master. In some cases, it’s taken me so long that just the thought of that session file made me anxious.
The creative process is a constant battle between too many good ideas and not enough resources and motivation to see them through the finish line. Ironically, the more songs you actually finish, the better your songwriting or production will become.
SoundBetter, a member of the ReverbNation marketplace, has helped tens of thousands of artists finish their tracks and albums by connecting them with the best music production talent in the world that work with them to create amazing-sounding songs.
Here are 10 tips on getting your song to the finish line: