What if you were given the opportunity to perform alongside punk legends The Damned, Orange Goblin, and Ruts/Ruts DC? How RAD would that be?! Well, these are just a few of the bands headlining the 2017 Camden Rocks Festival on June 3, 2017. Camden Rocks Festival sees over 8,000 live music lovers along with agents, managers, A&R, and publicists take over Camden Town for the most rock n’ roll one day-er of the year. With over 250 bands throughout 25 venues, Camden Rocks gives up-and-coming bands the chance to be heard – it’s manic and intimate all at once. We got with festival organizer Chris McCormack – formerly the driving force behind Creation Records ‘Britrock’ quartet 3 Colours Red and promoter behind Camden’s finest gig and club nights – to get an inside look at what goes down day of the festival, what he looks for when booking bands, and why Camden Town has long been the hub of the UK’s rock ‘n’ roll scene.
Let’s state the obvious upfront here: Independently booking tours is hard work. That’s why booking agents exist; to book better tours than you can on your own! Quite often artists don’t have the time, expertise, or patience to do it all themselves. Researching, pitching, negotiating, and planning can start to feel like a full time job for a musician.
What if I told you that something almost all of us love to do—travel—can actually be beneficial to your music career? The truth is that travel is one of the most effective ways to grow your career, as long as you’re willing to put in the time, energy, and focus that building something truly great requires. Here are four ways planning your next big trip can lead to major career growth.
Clever merch can do marvels for a band, and we’re not talking just about super-cool T-shirts and well-designed album art. Think of your shop selection—online or IRL—as having the same possibilities of any other store. You’ve got the freedom to offer almost anything you want, and if you’re creative enough in your selection, your sales will surely get a boost. Those special items can help grow your fanbase, too.
In 2015, U.K. born, bilingual singer/songwriter, Josh Savage, played 79 intimate shows across the U.S. and Europe with Sofar Sounds and in homes of fans. Holding the record for playing the most Sofar Sounds shows worldwide, Josh is hoping to inspire other artists with his new documentary Living Room Tours. Read on to learn about Josh’s heartfelt and inspiring Living Room Tour, how Sofar Sounds has helped in the development of his career, and more.
Hey Josh, it’s been a few months since we chatted! Give us a breakdown of your Living Room Tour.
As a new artist, it’s difficult to connect with your audience in bars and in venues where people talk over your music, text or get drunk. Often, I wonder if people even go to gigs for the music anymore. So in 2015, I played 79 shows across America and Europe in intimate environments with Sofar Sounds and in the homes of fans. It was a wonderful yet tough experience and it was a great, affordable way to kickstart my music career as a singer/songwriter.
How do you hope to inspire other artists?
I hope the documentary will show other artists that you don’t need the “go ahead” or permission from anybody to follow your dream. With the internet today, you can make your own rules.
From venues full of musical history to a cemetery, our LA-based CONNECT Manager Sharyn rounded up a list of her all-time favorite venues in LA. Check out a show at one of these rad places the next time you’re in town.
This is one of my favorite venues in the country. Playing the Troubadour is a milestone for any artist. The room has an amazing vibe to it, in part because of its astounding history: Elton John, James Taylor, Carol King and Tom Waits all started off there. Big name acts like Guns N’ Roses, Nine Inch Nails, The National, etc. have been known to do underplays.Troubadour always has great bands coming through, impeccable sound and if you’re tired of standing you can go watch the show from the row of church pews upstairs.
We’re so excited to share that we’re working with the Evening Associates of the Art Institute of Chicago to find one artist to open for the influential hip-hop duo The Cool Kids at their exclusive After Dark event live at the Art Institute of Chicago. We chatted with Jeremy Rothschild, Chairman of the Evening Associates Board of Directors at the Art Institute of Chicago, to learn about the successful After Dark series, how it’s become a platform for emerging artists, and more.
Hey Jeremy thanks for chatting with us! Introduce yourself and tell us what you do for the Art Institute of Chicago. Jeremy Rothschild: Chairman of the Evening Associates Board of Directors at the Art Institute of Chicago
What is After Dark, what does it offer for audiences of the Art Institute of Chicago? After Dark is an event series hosted by the Evening Associates Board of directors that highlights art exhibitions at the Art Institute of Chicago while featuring musical acts, cocktails, interactive theatrical performances, and occasionally art making activities all focused on engaging Chicago’s young professional audience.
The Evening Associates Board is a diverse group of young art-inspired professionals, innovators, and philanthropists committed to engaging Chicago’s under-40 community with the Art Institute of Chicago, driving Evening Associates membership, and promoting an understanding and appreciation of the arts. They were named the 2015 Associate Board of the Year by Young Nonprofit Professionals Network of Chicago (YNPN Chicago).
Boston-based indie pop band Air Traffic Controller are on the road Bronze Radio Return, have just been nominated for three Boston Music Awards, and have been touring nonstop for the last few weeks. Read on to get their top tips for surviving life on the road.
Know when you need your space. It can sometimes be hard to be around people 24/7 for weeks on end, especially if you’re an introvert like me. If you need to throw on headphones or go for a walk to recharge, do it. It helps a lot.
Pack as light as possible. I don’t always take my own advice on this one, but I always end up trying to bring things that I don’t need and it only weighs me down. I’ve worked over the years to cut down everything I own so that it fits in a small suitcase, and it feels a lot better.
Be kind to everyone you work with. Your band, the sound staff, the promoter, the bartender, everyone. It’s so much easier for everyone when everyone is psyched to be there. If you act like a diva, it just makes things miserable. And what’s the point of that?
Driver gets to choose the music and the navigator sits shotgun and stays AWAKE.
Don’t make any rash decisions. It’s not always gonna be a good day and you’re not always gonna get along with everyone at all times. Let moods pass and give things time. Vent to a neutral party if you need to, but arguing and complaining don’t really do any good when you’re traveling around the country for months in a little tin can.
Live in it and enjoy it while you can. I feel like the luckiest person in the world to get to travel and play music with my best friends. I don’t always get to work with my favorite people in the world and it’s the best thing.
Don’t let one sub par show get you down. When you’re playing every night it’s not always going to be magical. Maybe you have an off show, sound isn’t great, show isn’t well attended, you’re exhausted, etc. There are a so many factors that come into play. All you can do is try your hardest to give the best performance possible, support each other onstage, and remember to have fun. We’ve gotten into a really great habit of dissecting our performance after each show and figuring out what we can do to make the next show better.
Take care of yourself. Your body is going to take a pretty good beating. Loading gear in and out of the van, not sleeping well, constant long drives, not to mention there’s probably a good amount of free booze around. Anyway, it’s helpful to try and eat well, rest when you can, and drink plenty of water. You might still feel like you’re not human most of time… but hey, you’re on tour with your BoyZ!
Pre-Stage. Making sure that your gear is setup and ready to go off stage can be a huge timesaver and make your life a whole lot easier. This is especially helpful if you’re the opener on a tour.
Make sure all your gear is tour ready. You really don’t want stuff breaking on the road. Especially if it’s something that’s not easily replaceable. I always try to go over all my gear with a fine toothed comb before we leave for a trip, and bringing some tools along for the ride isn’t ever a bad idea.