Meet Little Tybee, the genre-blending sextet from Atlanta. They’ve been together for over seven years and they’re currently touring the country promoting their new self-titled LP. We chatted with the band about crowdsourcing their new album, how they maintain an engaged fanbase, and more.
Hey Little Tybee thanks for chatting with us! Can you introduce yourselves? Where are you guys from and how did you meet?
We are all Georgia natives, but half of the band is from Savannah, GA (Little Tybee is a actually an island off the coast of Savannah and inspired the name of the band). We have been playing under the name Little Tybee for the better part of 7 years, but I have been playing with most of the members in various projects for the past 12. Ryan (BASS), Pat (DRUMS) and I went to High School together (Savannah Arts Academy) and all moved to Atlanta around the same time to pursue careers in the arts and music. We met Josh, Chris and Nirvana as members of the thriving music scene that was present in Atlanta at that time. We all clicked musically and have been playing together ever since.
Following the release of his moody single "Dark Matter," Seattle-based singer Mark Diamond released an anthemic track called "Losing Control," which features his sultry vocals over cinematics hooks. The track was featured in PureVolume. Both tracks can be found on his upcoming 'Cosma' EP due out July 27. Read on to learner about ‘Cosma,’ Mark’s influences, and more.
Hi Mark! Tell us a little about yourself.
I’m 23 years old, born and raised in Seattle, Washington. I grew up with an international airline pilot as a father and traveled a lot growing up. I look back all the time and think about how all that traveling really gave me my appreciation for the Pacific Northwest and the place I was born. Seattle is beautiful and has definitely been one of the biggest influences in my music.
After releasing his highly anticipated album Cities & Schools and getting praised by the likes of Paste Magazine and The Big Takeover, singer-songwriter Jon Lindsay is hitting the road for a U.S. summer tour and European fall tour. Read on to get the inside scoop and find a tour date near you.
Following the release of his album Cities & Schools, Jon Lindsay has been releasing a slew of music videos that we can’t get enough of. “Little Queen Drum Machine” just premiered on Paste and its captivating visuals is Lindsay at his best. Paste was also the first to share Cities & Schools and describe the LP as, “a powerful collection of finely crafted pop that has garnered considerable praise for Lindsay.” We couldn’t agree more.
Brooklyn-based indie rock duo The Bergamot have been driving around the U.S. in their Volvo on their 48-state “Unity Tour.” The husband and wife band took a break from their amazing journey to share their top touring tips, update us on the tour so far, and more.
What are your tips for touring musicians?
Touring… The final frontier. The only frontier. You know how you can turn the lights off in a room and for the first couple seconds of walking around you can remember where everything is and how to navigate. Then, after about 60 seconds, you slowly start to loose orientation and your memory becomes a little foggy. Then you just put your hands out and move your feet slow as to find your way. Finally, you hit into something and then it triggers your memory into where you might be. You just keep going and slowly the room reveals itself to you. That is the closest comparison I have ever had to life on the road. You can loose your sense of center and you completely become submersed in the moment and that is the guiding direction. It can be scary, but after a while you can get the hang of it. It can be frustrating when you are working hard to develop you career and others want to know how you are doing. But the truth is if you are still touring and performing you are still making it all work for you. It is just that simple.
What's the last song you obsessed over? Our guest blogger Olivia, the powerhouse behind Wolvereen and who is spending the summer discovering new music with us, can't get enough of newcomers OTON. With a trip-hop sound of the late-90's paired with hip-hop beats and airy vocals, you're going to have them on repeat.
So many amazing things come out of Belgium; waffles, chocolate, and slightly less cliche but equally as awesome, OTON. This Brussels-based duo is known for their modern day take on the classic late 90’s jazzy trip-hop. It’s a decadent mix of smooth synths aided by lead singer Sasha Vovk and her rhythmic riffs on guitar.
After gaining attention from the likes of Billboard and PopMatters with their anthemic single “Something New,” pop duo Secret Weapons just released their debut EP ‘SW.’ With an infectious sound and feel-good vibe, you’ll have Secret Weapons on repeat in no time.
Hey guys, thanks for taking time out your busy schedule to chat with us! Let’s start with a little introduction. Who is Secret Weapons? Secret Weapons is Gerry Lange and Danny Rocco from Brooklyn, New York.
We’re kind of obsessed with your recently released debut EP ‘SW’ — tell us about the making. What is it that you want your listeners to get from it. The EP was a crazy experience. We spent two months recording in a warehouse in Red Hook, Brooklyn. We were totally isolated from the rest of the city, out on a pier jutting into the harbor. We recorded a ton of music, and had a hard time pairing it all down to a single EP. I think in the few days before we turned it in we were still adding new songs that were only a few days old.
Fresh off a tour in Germany, Mark Roberts of the electronic-goth project We Are Temporary, chatted with us about his new record deal with Trisol, the equipment he can’t live without, sound-pairing, and more.
How did you first get involved as a producer and what elements drew you in? My mom was an opera singer and my dad a classically trained organist, so I fell into music pretty early. My first attempts at production probably occurred around the time I was 14. By then, I had been playing guitar for a few years, got my first synth around 12, and had fallen head over heals in love with computers—Amiga 500, early 386 PCs, amber screens, MS DOS, etc.
Around 1992, my world was turned upside down when Steinberg’s Cubase came out on Windows 3.0 and I discovered the world of MIDI. Computers, of course, still couldn’t record audio back then, and so, after pestering my Mom for months on end, she finally got me a 4-track Tascam Portastudio for Christmas, with me combining elementary midi-programed drums and synths with some very rudimentary guitar power chords and pubescent vocals. The results were almost certainly awful, haha, but the damage was done and I was having the time of my life! 23 years and a handful of technology innovations later, I’m basically still doing the same thing, still having the time of my life 🙂
The Eiffels recently finished recording their sophomore EP and they shared their first single, “You Got Me,” on Free Bike Valet. We chatted with singer Sean Ulbs about the band's signature '80s synth pop sound, what it’s like to land a synch placement, and more.
Hey, guy’s what’s good?! Tell us a little bit about The Eifflels. How did you guys meet? Sean: Hey RN! We started The Eiffels early 2015. Lee and I met while out in Silver Lake and started playing music together soon after. Jade and I had mutual friends and he joined the band just before we left for tour.
You recently landed a synch placement on UK reality show The Only Way Is Essex through CONNECT Songs. What was it like to hear your song “City All Night” on the show? Sean: It was a thrill. It’s exciting to see our music get that kind of recognition. We really appreciate the support from CONNECT Songs, and The Only Way Is Essex.