I’m going to say something you might disagree with: most shows aren’t worth your time if you’re a seasoned musician. When musicians are young and looking for experience, every show is worth considering whether it’s an open mic night at a local coffee shop or playing covers at your beloved grandparents’ 50th anniversary barbeque. Every chance to perform represents an opportunity to grow and learn and gain exposure for young musicians.
But what happens after you’ve been playing open mics and barbeques for years? What do you do when the show offers (big and small) keep rolling in but only a select few stand to do anything to get you closer to your musical goals? To preserve your sanity and help you make the most out of your efforts in music, I think you should politely decline any show that doesn’t stand to help you or your music succeed.
Filling a blank computer screen or piece of white paper with original song lyrics is no easy task. Some songwriters struggle with the thought that what they write might be too revealing while others fear that what they come up with is too boring, cliche, or dull. The lyrical part of songwriting proves to be the most challenging for many otherwise talented songwriters, which means it’s something we should talk about.
No matter what your unique challenges are for writing great song lyrics, one thing is sure to help: paying attention.
If you’re a regular reader of the ReverbNation blog or are just an experienced musician, you already know how unpleasant touring can be for musicians at any level. But there’s something unique and story-worthy when a young band sets out to play a tour they booked themselves for the first time. DIY touring is brutal work but is also the type of stuff that transforms inexperienced musicians into confident performers. For the young and inexperienced, here’s five things to expect on your first DIY tour:
Creative risk-taking flies in the face of so much we think, feel, and do as serious musicians. The process of learning an instrument, making music, and sharing it with the world requires a great deal rigid predictability––regular practice, lots of discipline, showing up to shows on time, playing the same music over and over again until you get it right. Predictability and sticking to the rules is great as far as learning an instrument and maintaining a musical project goes, but if you’re interested in writing creative music, it can be much more of a hindrance than an asset.
Like any other property, music copyrights and the individual exclusive rights thereof, can be transferred, sold, licensed, and divided among several owners. In general, to use recorded copyrighted music, you will need permission from both the musical work owner (typically a publisher) and the sound recording owner (typically a record company). Note, however, if you re-record a song (instead of using a pre-recorded version), permission generally is only required from the musical work owner (since you are not using someone else’s sound recording).
A quick internet search will give you a myriad of ways to promote your music and cultivate your identity as an artist. There’s no getting around the fact that putting thought into the way you present and market yourself as an artist gives you the best chance at getting your music heard in this brutally competitive music climate. But artists get it wrong when they put image and promotion over everything else when it comes to their work.
Hailing from Southeast London, Hows Harry – comprised of Loz Andrew (Drums), Rupert Colegrave (Guitars), Ike Foulkes (Vocals), and Tom Davies (Bass), has been hard at work building a reputation as a thrilling live band.
The band has been crafting its unique sound from the very beginning, blending indie rock, dark pop, hip-hop, and countless other influences. This distinctive style caught the attention of fierce panda records, who signed How’s Harry after submitting to a ReverbNation Opportunity.
We sat down with How’s Harry to see how life has been going since being signed. In this interview, you’ll learn what makes the band so special, who the band’s resident goofball is, and much more.
Note: The following interview is guaranteed to make you hungry.
Music has changed in some remarkable ways over the past couple of years. Playlists are giving massive amounts of exposure to previously unknown artists of every age and experience level and analytic information provided by streaming platforms can now tell musicians detailed information about just who is listening to their music and how they discovered it.
But the biggest change in music we’re seeing is the breakdown of the album format. In 2016, researchers found that listeners were beginning to listen to music more on playlists than they were through traditional albums. This represents an Earth-shattering change for the music industry, and we’re nowhere near the point of being able to comprehend what it all means. But something that’s easy to see in the short term is that press and radio outlets appear to be slow to adjust to music’s new reality.