Professional college radio campaigns are one of the best ways to introduce your music to attentive new audiences, but they’re not cheap. Depending on the size, length, and nature of the campaign, hiring a radio promotion company to send your release to college radio stations could cost you anywhere from $2,000-$10,000. And if you’re financing the recording, production, and promotion of your record all by yourself, it might not be possible to devote that kind of cash to a college radio campaign.
If this sounds like you, don’t despair. You can create an impactful college radio campaign in-house. Here’s how to get started:
Create a database of college radio station contacts
Months before you plan to release and promote your record, start planning your own college radio campaign by compiling a database of staff names, email addresses, and addresses of college radio stations. This process is tedious and expensive, and that’s why the pros charge so much to do it. Try your best to only add active radio stations to the database. As you’ll soon see, the process of sending music and promo materials to college stations is expensive and takes a huge amount of time to pull off, so you’ll need to make every station is worth sending to.
Some college stations are now only accepting music submissions through MP3s, but the vast majority prefers to do things the old fashioned way by strictly accepting music through mailed CDs. During this information-gathering process, make sure to note each station’s submission preferences.
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Package and send promotional materials
Once you’ve compiled a database of station contacts and addresses, start putting together mailers that include your album and a one-sheet. The term “one-sheet” can mean a lot of things in the entertainment industry, but in our case it’s going to be a single piece of paper with a short bio, album information like track listings, and possibly a band photo. Some bands try sending extra flashy and gimmicky promo materials, but this can easily backfire and inspire college radio station staff to not give your record a chance, so be careful.
Follow up with emails and check the results
One of the biggest advantages a professional radio campaign can give you is detailed analysis of the outcome of your campaign. They’ll send over massive lists detailing which stations picked up your record for radio play and which ones passed. And in some cases, you’ll even get feedback from radio station staff as to what they thought about your music.
An in-house campaign won’t give you these sorts of insights, unfortunately. But by following up through email and combing through internet search results you can get a good idea of which college stations are playing your album. When you learn which stations are giving you some love, book tours based in those cities and try reaching out to your contacts to set up interviews and promotional events when you come through town. Having your music played on a college’s radio station is a great first step, but you’ll get the most out of that attention with a live show.
Patrick McGuire is a musician, writer, and educator currently residing in the great city of Philadelphia. He creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.
5 comments
Join the conversationYoungDelaney - December 26, 2017
How can i start a college radio station promoting music management company for PRODUCTIONS level
Smax - December 27, 2017
That was very insightful. Thank you
Cassandra Kubinski - December 27, 2017
Hey Patrick, Thank you for this article and insight into college radio.. we just underwent a big campaign for our holiday release Holiday Magic and got on about 25 terrestrial reporting stations, and a few college. This is very helpful as we consider future college radio campaigns! All the best, Cassandra
Lizann - December 28, 2017
So you actually have to send physical CD’s through SNAIL MAIL??? Don’t they accept electronic press kits and downloadable wav files or MP3’s…???
Dan Masterson - February 2, 2018
Yeah, a lot of indie stations don’t have the budget to upgrade equipment, or don’t have the bandwidth to field hundreds of submissions a day. I almost didn’t make CDs for my upcoming release, but had to for press/radio. Plus they ended up being a popular item in pre-sale.