4 Lyrical Cliches To Avoid

Unless the music you make is purely instrumental, the tone, felling, and narrative of the lyrical content in your songs is most likely going to be an important part of your musical identity. Depending on the kind of music you make, you might not think lyrics are all that important, but you’d be wrong. Yes, music speaks when words fail, but the stories portrayed in music often do a great deal as far as reaching out and relating to an audience. Approach lyrics with honesty, thoughtfulness, and poetic potency, and you’ll have a proven way to inspire real emotion and understanding from a listener. But all too often, songwriters rely on cliches to help tell the stories in their songs. Here are four lyrical cliches to avoid:

Speaking in extremes

Lyrical extremes like singing about how you’ll wither up and die if someone doesn’t love you are annoying, but even more than that, they sound phony. Unless you’re masterfully weaving in lyrical narratives steeped in magical realism, presenting extreme thoughts and feelings in music can often come off as sounding immature, undeveloped, and lazy. Nuanced, complicated, and poetic lyrical ideas take more work to develop, but they work better nearly every time.

Rhyming every lyric just for the sake of it

Incorporating rhymes into your music can be completely fine as what you’re doing truly serves your music. Songwriters get into real trouble when they think every word at the end of a phrase needs to be rhymed. The bigger picture of what works and what doesn’t within songs has two parts: lyrical narrative and phrasing. The lyrics of your songs should be cohesive, challenging and engaging, and the phrasing needs to be catchy, concise, and impactful. If rhyming helps these two parts work together, then go for it. But for when it doesn’t, you’ll need to find creative ways to present lyrics and phrasing without rhyming.

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Singing “Tonight” over and over again in your choruses

I’m not really sure why, but so many bands do this, and it’s awful. More than hallmark of hackneyed pop punk music, singing stuff like “it all comes down to tonight” is something artists from lots of genres do. But unless something truly significant having to do with “tonight” is in a story you’re singing about, the tonight thing is a bad idea. As a general rule, there’s only so many lyrics in any given song, so everything you say needs to further a larger narrative. If you don’t have a narrative, then no amount of cheesy lyrical cliches are going to help you.


Unless you’re aiming to portray some sort of character within your music, inauthenticity in lyrics is something you should go out of your way to avoid. Most people memorize and sing along to a song’s lyrics because the music is relating to them on some level. The best shot you’ll have at relating to your audience is if you can present your thoughts and ideas in a way that is both genuine and thoughtful. No, this doesn’t mean you should just sing about whatever happens to pop in your head, but that you’ll need to present your raw feelings and interpretations of life in an engaging and entertaining way.

Patrick McGuire is a musician, writer, and educator currently residing in the great city of Philadelphia. He creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.

Dave4 Lyrical Cliches To Avoid


Join the conversation
  • Chris B Austin - May 16, 2018 reply

    Good thank you.

  • Jerry McCann - May 17, 2018 reply

    Well, I’ve been told 100,,000,000 times,
    That all of the lines must rhyme.
    Tonight’s the night of all nights,
    And that proves the lines are tight.

  • Lori Lynn - May 17, 2018 reply

    One of the best things that you can do as a lyricist is read. Read prose and see how the authors present their stories in both fiction and nonfiction. Also study lyrics written out on the page. This article is a speech that I wrote in the 9th grade and its principles have helped me understand how great lyricists and poets develop their work… http://ezinearticles.com/?The-Language-of-Lyrics—Analysis-of-Rushs-Force-10&id=3369289

  • Debra Ingle - May 30, 2018 reply

    I write from the heart, and at 61, really try to not get corny with any words. Yes I have lines that do not always rhyme, and some of it sounds better like that. It’s like a little surprise that makes you pay attention to it more. Just getting ready to submit to known artists, and get things recorded, after I get vocal chord surgery, so my voice can do the right thing here, for my DREAM. Does James Carbonaro want to be played on a Religious channel? If you are referring to those religions, I hope you aren’t doing heavy metal. Gotta still respect your material and where it comes from. Good luck

  • Sonni Quick - June 6, 2018 reply

    If your music doesn’t tell a story, with lyrics or even instrumentally, then I find it boring. Can you read your lyrics aloud and want to hear the end of the story? Is there a conclusion? Does it mean anything? If lyrics repeat the same dumb line over and over then people aren’t going to remember it years from now, nor will anyone ever want to remake it or do It live a cover.

  • lawrencesanchez - September 8, 2021 reply

    Nice post.

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