What Music Experimentation Actually Means And Why It’s Hard For Songwriters To Do

Creative risk-taking flies in the face of so much we think, feel, and do as serious musicians. The process of learning an instrument, making music, and sharing it with the world requires a great deal rigid predictability––regular practice, lots of discipline, showing up to shows on time, playing the same music over and over again until you get it right. Predictability and sticking to the rules is great as far as learning an instrument and maintaining a musical project goes, but if you’re interested in writing creative music, it can be much more of a hindrance than an asset.

MikeWhat Music Experimentation Actually Means And Why It’s Hard For Songwriters To Do
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Music Law 101: Common Music Licenses

In our previous posts in our Music Law 101 series, we have covered the basics of copyright law, including the scope of copyright protection, copyright ownership, the exclusive rights of copyright, the duration of copyright protection, transfers and termination of copyrights, and copyright infringement and fair use. In this post, we continue on the topic of copyright law and discuss common music licenses.  

Like any other property, music copyrights and the individual exclusive rights thereof, can be transferred, sold, licensed, and divided among several owners.  In general, to use recorded copyrighted music, you will need permission from both the musical work owner (typically a publisher) and the sound recording owner (typically a record company).  Note, however, if you re-record a song (instead of using a pre-recorded version), permission generally is only required from the musical work owner (since you are not using someone else’s sound recording).

AgniMusic Law 101: Common Music Licenses
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Why Promotion And Image Can Only Get Your Music So Far

A quick internet search will give you a myriad of ways to promote your music and cultivate your identity as an artist. There’s no getting around the fact that putting thought into the way you present and market yourself as an artist gives you the best chance at getting your music heard in this brutally competitive music climate. But artists get it wrong when they put image and promotion over everything else when it comes to their work.

DaveWhy Promotion And Image Can Only Get Your Music So Far
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An Interview With How’s Harry: A Real-Life Hummus Band

Hailing from Southeast London, Hows Harry – comprised of Loz Andrew (Drums), Rupert Colegrave (Guitars), Ike Foulkes (Vocals), and Tom Davies (Bass), has been hard at work building a reputation as a thrilling live band.

The band has been crafting its unique sound from the very beginning, blending indie rock, dark pop, hip-hop, and countless other influences. This distinctive style caught the attention of fierce panda records, who signed How’s Harry after submitting to a ReverbNation Opportunity.

We sat down with How’s Harry to see how life has been going since being signed. In this interview, you’ll learn what makes the band so special, who the band’s resident goofball is, and much more.

Note: The following interview is guaranteed to make you hungry.

JamesAn Interview With How’s Harry: A Real-Life Hummus Band
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