Stereo imaging is an important component of creating a three-dimensional mix. Without this stereo imaging, our mixes would sound flat, two-dimensional, and uninteresting. Ensuring that the elements in your mix occupy the entire stereo spectrum in a balanced way is crucial for the success of your track. Below I have listed 5 ways you can stereo widen your sounds to create a professional three-dimensional mix.
Before I go over the top five tips for stereo widening, I would like to go over what exactly stereo imaging is and what instruments you should stereo widen. Stereo imaging is the perceived spatial locations of a sound source.
Instruments that respond well to stereo widening are sounds that are high-frequency dominant. High frequencies are directional, meaning that you can better perceive where they are in space much better than lower frequency elements. Leads, high hats, background sounds, and any other elements that contain a fair amount of high frequencies are all great elements to stereo spread in your mix to create a wide professional stereo image. Here are the top 5 tips for stereo widening.
When you begin playing music out – especially in a new place – it can be intimidating. There’s often gateholders to breaking into a music scene, and they often have their own standards by which they allow people to play the shows they involve themselves with. I come from a big town where I was involved in the music scene for almost a decade, and then moved to a giant city with hardly any idea of what to do next. This one is personal to me.
What I truly believe is that no matter how old you are or what kind of music you play, there are ways to find people to play with and an audience for you. You just have to get out there and find them. If you’re having trouble figuring out how to play shows or have never done it before, let this serve as a guide to booking your first show.
Writing music for the first time can be one of the most exciting things in the world, no matter your age and ambition. Whether you’re still in high school or have been a musician for decades, writing music is an experience different than anything else. But things like fear of failure and not knowing where to begin keeps a lot of musicians from writing music. If you’re someone interested in writing music for the first time, here are three things to remember during the process:
Without a compelling song arrangement, your track stands very little chance of keeping the attention of your listener. The song arrangement must draw in your listener with its dynamics, change in sounds, transitions, and sequencing of elements. But how do we create these compelling arrangements and make sure we are giving the listener a memorable listening experience?
Creating music can be bruising or even downright crushing at times. Writing meaningful music often requires isolation, vulnerability, and fortitude in withstanding dead-end after dead-end throughout the creative process. When an idea is finished, it’s put out into the world for everyone to hear and criticize – or even worse, to be ignored or never heard in the first place.
If you make music, you are inviting disappointment into your life in some form. And while young musicians seem to be able to roll with the inevitable physical and emotional punches of a music career, older musicians don’t cope as well. Add in the fact that as musicians age the non-musical aspects of their lives become louder and more pressing, and it’s easy to see why so many people stop making music after their twenties. An image of someone at a desk job reminiscing about the good old days of being in a band comes to mind. Lots of perfectly talented musicians trade in their dreams for lives that are financially and emotionally safer with claims that they weren’t good enough to keep making music. But the truth is that when musicians lose their passion, the world loses something as well. Individual musicians lose a vital creative outlet and the rest of us lose the music they would’ve made if they wouldn’t have quit.