Why Most New Music Won’t Get Heard In 2019

There are few things more exciting for a musician than sharing new work with the world for the first time. After months or even years spent working on something like a full-length album, musicians distribute their new work to the masses with the hope that their music will become something special and known to new audiences. Sadly, this hope is being realized less and less in 2019.

JayWhy Most New Music Won’t Get Heard In 2019
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Why Every Musician Can’t Be A Music Teacher

Since being broke is an experience nearly shared by all musicians at some point during their careers, the thought of teaching music on the side to earn extra money is something that appeals to many. But while getting paid to share the gift of music with people might sound like a dream to some, there’s a lot of factors to consider if you’re thinking about becoming a music teacher.

RebeccaWhy Every Musician Can’t Be A Music Teacher
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How To Become More Productive In The Studio

We have all had those unproductive studio sessions where nothing gets accomplished. The lead you tried to put into your track didn’t work, a plugin needed updating, or you couldn’t find the sample you were looking for. While it is inevitable for you to have unproductive studio sessions every so often, many producers will often encounter more of these unproductive sessions than they should. By doing a little bit of preparation before the actual studio session, you will be able to avoid these unproductive sessions more often. Here is a list of four ways you can become more productive in the studio.

JayHow To Become More Productive In The Studio
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Why You Shouldn’t Value Your Music Based On Its Popularity

One of the biggest transformations music has undergone over the past two decades is the ability to see songs rack up views, streams, and downloads in real time. Local and national charts still gauge an artist’s radio performance and album sales, but detailed metrics offered by music platforms now let listeners see how much a song is being listened to practically in real time. But public song stats are a small fraction of the detailed analytical information most artists now have access to when it comes to who is listening to their music.

From a music business perspective, having loads of perpetually updating fan analytics at your fingertips is helpful, but I think there’s also a downside to consider. Numbers can’t tell the whole story of worth behind an artist’s music. Since most music is now digitized in some form, it means that the majority of music consumption can be measured. It’s human nature to want to assign value and meaning to the songs that generate the most stats, but there’s a whole bunch of problems to consider if you think that your music is only good if it’s popular.

AgniWhy You Shouldn’t Value Your Music Based On Its Popularity
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