Let’s be honest, writing bios is probably one of the least fun and most stressful parts of putting together your EPK (Electronic Press Kit). Most of us are pretty uncomfortable writing about ourselves, and since we’re always downplaying our accomplishments anyway, it feels really unnatural to then gush about them for 500 words.
So if you’re a little uncomfortable writing about yourself, you’re not alone. It is seriously weird to boast about how awesome you are and then send that to people. But trust me, you can overcome this. It’s actually not as hard as it might sound, and once you get to work on your bio, you’ll see what I mean.
That said, if you’re really struggling, consider hiring a bio writer. PR companies usually offer this service, as do plenty of freelancers, so if you’re really feeling stuck, spend the money, save yourself the stress, and have a professional whip one up for you in a couple days.
If you’re up for the challenge of DIY-ing it, we’ve got you covered. These five tips will guide you smoothly and seamlessly through writing your next bio.
Guitars are used in many different genres of music.
Chances are the guitar in these tracks will be the main protagonist. If not, then they will at least be a main instrument in the song.
In order for your music to translate well to your audience, you need to mix your guitars in a way that gives them depth, power, and delivers the emotional intent of your song.
In this article, I am going to go over how you can mix in your guitars for a more professional-sounding mix. To mix in our guitars, we are going to use simple panning and audio processing. In our example, we are going to assume that there is no audio processing done to the guitars already.
We will be starting the mixing of the guitars from scratch.
I can already feel it. The air slowly beginning to change, the crisp leaves falling under my feet, the smell of apple cider donuts and caramel apples. At least, that’s what I’m dreaming of as I write this in 80 degrees, high humidity weather in the middle of the summer. But hey, we have to start planning for our favorite seasons sooner rather than later right?! And when that season just happens to also include a tour—be it long or short—the time to prepare isn’t a month before, it’s an entire season before! That way you can make sure you get your routine down, your bags packed, and your itinerary sorted.
But what if you’re struggling with where to go? We’ve scoured towns and cities across the US to find those with a significant base of music enthusiasts, so even if your fan base is a little light in a certain area, you’re bound to find some new fans.
One of the biggest problems that music producers face when mixing their music is creating a clean, clear, and present mix. If you are looking to create a professional-sounding mix, then having a clean mix is a must.
In 2019, there’s no shortage of ways to measure a musical artist’s success. Between public play counts and the growing private listener analytic data that streaming platforms now give to artists, musicians have ways to see how well their music performs in real-time. This unprecedented reality clearly brings artists some sizable benefits. For example, a small, unestablished band doesn’t have to fork over cash for an expensive radio campaign to learn what cities listen to their music the most because streaming platforms give away that information for free.
But there’s some significant drawbacks to consider in today’s data-driven, instantly gratified music culture. There are constant, unavoidable reminders of whether an artist is conventionally successful or if their music isn’t being heard. Drawing a connection to your self worth and whether your music is successful or not is a recipe for the sort of creative-killing frustration that can do serious damage to not only your career, but also your personal well-being.
Humans are habit-forming creatures, which can be both good and bad for musicians. Routines are ideal for stuff like practicing an instrument or getting plenty of rehearsal time in for an upcoming performance, but they can wreak havoc on a person’s creative potential. Habits stifle creativity when they remove the potential of risk and newness from the music-making process. If you’re someone who struggles with succumbing to bland routines and predictable habits in your songwriting efforts, we’ve got three tips to help:
When I started making music seriously in my early twenties, I had an idea in my head that once musicians got to a certain level of success, they’d be able to focus purely on their music. Music promotion, finances, booking shows – I thought all the unpleasant grunt work of musical life could one day be handed over to managers, accountants, and record labels if I could just be successful enough. More than a decade later, I’m happier than ever making music and am nowhere near the point of being able to schlep off the non-musical duties of my music career off on someone else. Over the years, my views on what a musician’s role can or should be have changed completely. I now believe that musicians should care about the non-musical aspects of their careers, but not for the reasons you might think.
Sometimes, you just want to throw your hands in the air and tell someone else to deal with all the hard stuff, am I right?! You want to be able to turn to someone when you need advice, call on them when it’s time to strategize, and just know that someone out there has your back. For many artists, that means having a manager. But here’s the kicker—it’s not always the right time to bring one on.
Sure you may be wrestling with all of the above feelings, but just because you want a manager or feel like you need a little help doesn’t mean you’re actually ready for one. Here are five things to ask yourself next time you start to wonder if you’re ready for a manager.