When you think of a mastering engineer, you think of someone tucked away in a studio filled with hardware and expensive equipment. To many, mastering can seem like a dark art. With the advancements made with music production tools, all you need is a set of basic plugins that your DAW offers and a few guidelines on how to tackle the mastering process. In this article, I am going to go over a step-by-step process on how you can use your native DAW plugins to master your own tracks.
One of the more fascinating transformations happening in music today is how insanely easy it’s become for anyone with a laptop and microphone to create, record, and release music. A big impact of this trend we’re beginning to see is the widespread blurring of lines between songwriter and producer. Cheap DIY recording gear and easy access to digitally driven sound effects and synthesized instruments are putting production power into the hands of millions of musicians who wouldn’t have had it in the past. Here’s three ways songwriters are taking on music production roles:
Whether you’re a weekend warrior playing in a regional city close to your hometown or embarking on a long national tour, being able to promote shows in cities you’ve never played in is vital for bands trying to find momentum and new fans. But getting the word out in a new city isn’t easy, especially for new and unestablished bands. Here are three tips to help promote shows in places you haven’t played before:
Even under the best of circumstances, performing can be an anxiety-inducing experience for artists. Since artists are under so much stress at shows, they’re easy to offend. The musicians that artists perform with end up being massively important connections throughout their career, so staying on their good side is essential. Here are four show faux pas to watch out for while playing live:
One of the best ways to expand your audience base is to venture out to play in different countries. Playing internationally not only helps to connect with new audiences, but is also a great way to do more event organizing, touring, and to enhance your musicianship experience. Getting to experience new cultures and seeing new countries could inspire new music!
In this blog post, I would like to breakdown international touring on four fronts for independent musicians: The what, where, when, and how. As a U.S. based musician, I would also like to explain to you this process through my personal experiences. Hopefully you can find some lessons and use them in your future touring efforts.
Just like getting started before any tour, it is best to start by asking yourself and determine what is the purpose of this tour. Are you promoting your newest album? Do you want to teach masterclasses and workshops? Do you want to make money?
Storyteller is one of those bands that is rising through the ranks faster than we can keep track of. Hailing from Leipzig, Germany, the melodic rock band was just signed to We Are Triumphant Records through a ReverbNation Opportunity. We wanted to hear from the band personally about their experiences as a group, what it was like getting signed, and more. Check out the full interview and get to know Storyteller a little better.
Remixing another artist’s track can be a difficult process. While creating a remix can be similar to producing an original, there are still distinct differences that can cause one to second guess their work. Below, I have listed five tips that will help you work through these differences and help you create the best possible remix.
Being represented by a label or manager are things thought to signify an artist’s success, so it makes sense why so many musicians spend their valuable time and resources trying to get represented and signed. But the ritual of crafting thoughtful pitches and sending them off into the ether rarely results in bands landing a record deal or enthusiastic manager, even if their music is good.
There’s a few reasons why these pitches usually get ignored, but it mainly comes down to the fact that successful labels and managers want to discover talent themselves, not be sold on it by reading about it through an email. The people in the music industry with the expertise and resources to actually move your music forward want to hear and see your music in action before considering taking a risk on you. Instead of banging your head trying to pitch to labels and managers, here’s what you should be doing: