For the uninitiated, touring often appears like a glamorous affair filled with big, rewarding shows capped off with fun nights that play out in exciting different cities. Touring certainly can be fun and rewarding, but there’s an immense amount of work and sacrifice involved, and, depending on what’s going on with your project, it’s often not worth it. But setting inaccurate reputations aside, many bands set out to tour knowing full well they won’t likely earn money, fans, or acclaim by doing so when there are much better ways to build their careers. Here are a few things unestablished bands should focus on early in their careers instead of touring:
The success of your track will primarily depend on the main elements you have in your track, how they are arranged, and how they are mixed in. What often gets forgotten in a professional song are the ear candy effects.
These ear candy effects give your track that professional polish that is needed to create detail and interest throughout your track.
In this article, I am going to show you how to create a very popular but effective reverb tail effect.
WD-HAN is a ReverbNation trio with a sound completely their own. Hailing from “outer space,” the band has been going strong since forming in high school. Featuring an Aussie frontman, a renegade female drummer, and a soulful guitarist, WD-HAN is bringing the blues back into popular music, making a name for themselves with more than a decade of face-melting live shows throughout the Southeast.
The band has shared the stage with some of music’s biggest acts, and has been selected for countless ReverbNation opportunities over the years. Get to know the band, their philosophies, and even their favorite beverages in this interview:
Many adults look back at who they were during their middle school and high school years and are thankful for being older and wiser. In most every way, being an adult is easier than being a teenager because of the confidence, security, and freedom that comes with age. But one thing that comes easier to teens than adults is finding and becoming passionate about new music.
While most adults are content to keep listening to the music they discovered in their youth, serious musicians need to continually seek out new music in order to stay challenged and engaged in their work. In other words, if you rely only on the same musical influences you discovered in your teens, a relatively short period in your life, you’ll be limiting your creative potential in a huge way.
One of the most challenging parts of being an artist in today’s music industry is having to learn so many things that have nothing to do with the actual music itself—and everything to do with the business and marketing of that music.
While that might initially seem daunting, the reality is that being a business-savvy musician in today’s world gives you a major advantage. If you can learn to perfect not only your craft but the telling of that craft through your social media, your bio, and your press opportunities, that puts you light-years ahead of the rest.
So today, I want to talk to you about my specialty—pitching. As a publicist, it’s kind of my thing. And with artist placements on popular sites and streaming services, I know a thing or two about landing a placement.
Compressors are an integral part of the mixing process.
Without this tool, your mix will be dynamically unbalanced and stand little to no chance of being labeled a professional mix. To many producers, it can be very difficult to understand how compressors work and how they can be applied to their productions in a positive way.
In this article, I am going to go over what compression is, the basic controls of a compressor, and how to use a compressor in your music.
New Age Affair is the pop-punk/post-hardcore band that’s soon to be on everyone’s radars. The band formed in Rapid City, South Dakota, by brothers Derek and Gage Flick in early 2017. Since its inception, the band has been working tirelessly to successfully craft a sound that is undeniably catchy, melodic, and refreshing.