Touring has a dangerous tendency to bring out loads of predictable unhealthy habits. For many musicians, being on the road means diets of fast food and gas station fare, long nights focused more on indulgence than rest, and a creeping sense of emotional isolation and aimlessness. A focus on health isn’t something musicians who tour a couple of weeks a year need to worry about, but it’s absolutely crucial for those that tour to make ends meet. If you’re searching for ways to help keep you physically and mentally fit on the road, here are three tips:
The chorus in your track is the most memorable part of your song.
This section of your track is the main event and will be providing the theme to the listener. This makes having a compelling and memorable chorus section a must for your song.
Thankfully, there are a few minor adjustments that you can make to your existing tracks to have your chorus stand out in the mix. In this article, I am going to go over four different tips that you can apply to your existing tracks and future tracks to create a more powerful chorus.
Learning music theory is a tough sell for some musicians. Since music-making is a rebellious creative pursuit for many, the idea of letting a determined set of rules inform the songwriting process can be unattractive. But the truth is that music theory doesn’t exist to confine or limit musicians. It’s a set of musical principals that are designed to explain and clarify the music we make and hear in the world around us. Musicians lose a valuable tool in their songwriting arsenals when they don’t bother to learn about music theory. If you’re a songwriter interested in learning about theory, here are three basics every musician should master:
Musicians often view the sound quality of their live shows as something left up to chance. Roll the dice, and you might get lucky and will be blessed with a skilled, patient sound engineer who will help you sound your best. But anger the gods, and you’ll have to suffer through a night of feedback squeals and unconfident playing due to mismatched sound levels. We all dream of the day when we’ll be able to afford to pay a personal sound engineer to run sound at our shows, but that’s a reality far out of reach for most musicians. Less-than-ideal sound conditions are unavoidable in live music performance, but there are things we can do to make things easier for the sound engineers we work with.
Music production tips and tricks are being released on a daily basis. By doing a quick search on the web, you can find countless articles and videos that go over the latest and best mixing tips. While these tips may be helpful to you in the mixing process, they often just help you mask the fundamental errors that you have in your mix.
Below I have gathered five of the most important and fundamental mixing tips that you aren’t using to help you improve any mix that you are working on.
When it comes to deciding what artists to work with on a PR campaign, there are a lot of factors that go into a publicist’s decision—contrary to popular belief a reputable PR agency will not just take the money of anyone who offers it to us and then blast out a press release and call it a day. True PR takes a lot of very purposeful, diligent work in building our relationships with press, strategizing the best methods and angles for each and every client’s needs and story, and creating a narrative that will entice and capture an audience of press, their readers, the band’s fans, and eventually, labels, festival promoters, and venue owners.
Being rejected can be a devastating experience. Most of the non-creative world associates rejection with unrequited love expressed as a teenager, or being passed over for a promotion at work. Rejection is painful, so it makes sense why most people avoid it at all costs. Musicians who are serious about creating meaningful work don’t have that luxury.
Creating and performing music leaves musicians vulnerable and tied to risk through things like playing shows in front of hostile crowds or getting nasty reviews. Unfortunately, you risk being rejected for your work each and every time you choose to share it. Learning to cope with rejection is crucial if you want to sustain a meaningful career in music. Here are three reasons why:
Whether you play in a 7-piece band or make music alone, musical relationships are crucial. From having access to opportunities and resources to simply having another person to talk to who knows what it’s like to be a serious musician, we need musical relationships to help us in our careers. But for as important as these relationships are, they often fall apart in spectacular fashion.