Being rejected can be a devastating experience. Most of the non-creative world associates rejection with unrequited love expressed as a teenager, or being passed over for a promotion at work. Rejection is painful, so it makes sense why most people avoid it at all costs. Musicians who are serious about creating meaningful work don’t have that luxury.
Creating and performing music leaves musicians vulnerable and tied to risk through things like playing shows in front of hostile crowds or getting nasty reviews. Unfortunately, you risk being rejected for your work each and every time you choose to share it. Learning to cope with rejection is crucial if you want to sustain a meaningful career in music. Here are three reasons why:
Whether you play in a 7-piece band or make music alone, musical relationships are crucial. From having access to opportunities and resources to simply having another person to talk to who knows what it’s like to be a serious musician, we need musical relationships to help us in our careers. But for as important as these relationships are, they often fall apart in spectacular fashion.
One of the more fascinating transformations happening in music today is how insanely easy it’s become for anyone with a laptop and microphone to create, record, and release music. A big impact of this trend we’re beginning to see is the widespread blurring of lines between songwriter and producer. Cheap DIY recording gear and easy access to digitally driven sound effects and synthesized instruments are putting production power into the hands of millions of musicians who wouldn’t have had it in the past. Here’s three ways songwriters are taking on music production roles:
Things like expensive instruments and recording equipment can definitely improve your music career, but no amount of money can buy talent and an artist’s willingness to work. There are free and inexpensive things musicians have access to every day that they can be doing to change their careers in a huge way. Here are three of them:
At its best, music is a collaborative art. We can’t create in a vacuum. Plus, the vast majority of the songs on the charts right now are all co-writes. Everyone has their strengths. Everyone has those few things they do that really click. Where you don’t always shine, a collaborator will help to brighten and polish your work. Take a break from your island, and let’s take a look at how to bring our best selves to a co-writing session.
Whether you’re a weekend warrior playing in a regional city close to your hometown or embarking on a long national tour, being able to promote shows in cities you’ve never played in is vital for bands trying to find momentum and new fans. But getting the word out in a new city isn’t easy, especially for new and unestablished bands. Here are three tips to help promote shows in places you haven’t played before:
Even under the best of circumstances, performing can be an anxiety-inducing experience for artists. Since artists are under so much stress at shows, they’re easy to offend. The musicians that artists perform with end up being massively important connections throughout their career, so staying on their good side is essential. Here are four show faux pas to watch out for while playing live:
Whether you sing backup in a grunge band or are the lead vocal in a pristinely-produced pop outfit, your voice won’t sound its best on recordings without a little prep and care. Stuff like getting plenty of sleep, drinking copious amounts of water, and limiting alcohol and caffeine the week someone records are things proven to help a singer perform well, and vocal warm-ups are just as important. Here’s four vocal exercises to get your voice ready to record: