We’re so excited to share that we’re working with the Evening Associates of the Art Institute of Chicago to find one artist to open for the influential hip-hop duo The Cool Kids at their exclusive After Dark event live at the Art Institute of Chicago. We chatted with Jeremy Rothschild, Chairman of the Evening Associates Board of Directors at the Art Institute of Chicago, to learn about the successful After Dark series, how it’s become a platform for emerging artists, and more.
Hey Jeremy thanks for chatting with us! Introduce yourself and tell us what you do for the Art Institute of Chicago. Jeremy Rothschild: Chairman of the Evening Associates Board of Directors at the Art Institute of Chicago
What is After Dark, what does it offer for audiences of the Art Institute of Chicago? After Dark is an event series hosted by the Evening Associates Board of directors that highlights art exhibitions at the Art Institute of Chicago while featuring musical acts, cocktails, interactive theatrical performances, and occasionally art making activities all focused on engaging Chicago’s young professional audience.
The Evening Associates Board is a diverse group of young art-inspired professionals, innovators, and philanthropists committed to engaging Chicago’s under-40 community with the Art Institute of Chicago, driving Evening Associates membership, and promoting an understanding and appreciation of the arts. They were named the 2015 Associate Board of the Year by Young Nonprofit Professionals Network of Chicago (YNPN Chicago).
Chicago-based producer Owen Bones recently premiered his latest single “Mach One” on Pigeons and Planes who described it as one of his finest displays of production. Read on to get the lowdown on the collaborative process behind “Mach One,” his upcoming debut album Dive Club, Spotify experience, and more.
Hey Owen Bones, thanks for be part of our series. Can you tell us a little about Owen Bones and is that your real name? Thanks for inviting me! My real name is Owen *Jones* (clever, I know). Owen Bones is a bit like my alter ego. He does things I might not.
Pigeons and Planes just premiered “Mach One” the lead single off your debut album Dive Club and described it as one of your finest displays of production. Tell us about the track. The beat was made earlier in the year in one sitting, and I knew right away that it had some special qualities. A close friend of mine was sitting in while I made it, and we imagined it might sound a bit like the inside of a spacecraft during intergalactic travel…the theme stuck, and the name was saved. When picking beats for the full project, I had been listening to a lot of Tunji, and I thought his voice fit. Same with Aaron – he was actually the first person to hear the beat.
We caught up with Brooklyn trio Del Caesar to get the lowdown on their new single “Like They Always Say,” upcoming EP, 60’s garage/psych rock sound, and more.
Hey guys! Introduce yourselves – who are the forces behind Del Caesar? We’re three dudes living around Brooklyn that love old school garage rock and the new psychedelia stuff coming out. I’m [Aaron Lloyd Barr] on vocals/guitar, the rock solid Eric Arikian is on bass, and the animal Ben Reynolds is on drums.
Describe your sound in ten words or less. Del Shannon covering Ty Segall’s song “Caesar”
Long Beach-based post-punk alternative band, Yacht Punk just debuted their first single "Radar" on IMPOSE. Read on to get to know the band, find out what they’re working on, and more.
Hi Yacht Punk! Let’s start off with — who are the forces behind the band? Graham Bockmiller – Vocals/guitar, Michael Pozzi – Lead guitar/vocals, Tricky – Drums
Where did you guys come up with the name? A group of our friends were at party or something and for some reason almost everyone in our group was wearing denim jackets. So someone in the group was like “You guys look like you’re all in a gang or a punk band or something”, to which one of our friends sarcastically said “Yeah right, more like a YACHT punk band”. Kinda made me go hmmm, Yacht Punk, that would be a good band name. So basically we stole it. And no one will get the credit that they deserve. But I also think it’s kind of a good analogy for the music. It’s got some grit but it’s definitely not punk, and it’s got some polished hooks but its not nice enough to belong on a yacht either. Maybe we should’ve called it Shit Yacht instead.
Described as “part b-boy, part Beethoven,” Thee Phantom uniquely combines hip-hop with live orchestration. Read on to get the 411 on his upcoming College Tour that kicks off this week with a SOLD OUT show at the University of Texas, the advice he’d give someone who’s trying to break into the business, and more.
Hey Thee Phantom, thanks for being a part of our series! Introduce yourself – who is Thee Phantom?
Thee Phantom is the combination of all my childhood inspirations. Hip-Hop, Classical Music, Comic Books, Sports & of course my favorite Broadway musical, Phantom of the Opera. I am a Composer/MC/Producer who combines the raw energy and passion of Hip-Hop, with the beautiful melodies of live orchestral accompaniment.
Described as “Easy Listening for Uneasy People,” San Diego-based band Well Well Well just released their debut EP ‘What Do We Have Here?” Read on to meet the duo, get the deets on their debut show on September 29th, and more.
What’s up guys? Before we get into it — can you tell us a little about Well Well Well? WWW is myself on guitar/vox and Dan Nichols on bass/synth/drums. Dan has this crazy unique ability to play drums one handed and play the bass keyboard and synthesizer with the other hand simultaneously. The music came quite naturally once our band Barbarian went on hiatus.
As a producer, performer, and multi-instrumentalist songwriter, Dave Thomas Junior’s music has been featured on Vampire Diaries, The Muppets, and more. Read on to learn about his new album ‘Pieces’ that just premiered on PureVolume, his collaboration with Don Diablo, and experience with sync placements.
Give us the breakdown of your new album ‘Pieces.’ Pandora recently added me and they said my music has ‘folk roots, mystical qualities, a subtle use of vocal harmony, acoustic rhythm piano and mixed acoustic and electric instrumentation.’ Which is just about a good description of the new album as I could hope for.
I’m really interested in the technological singularity, so (along with love which I pretty much always write about) a lot of the songs are about the concept of time in some way or another. The idea that things are moving exponentially faster is something that I’ve spent a lot of time thinking about – it seems so amazing and exciting and terrifying to me – so that always makes its way into the songs. Except ‘We Belong Together’ which is purely about Drake’s unrequited love for Rihanna. I saw the video for ‘Work’ and pretty much straight away had the idea for that song. It’s such a tragedy, he’s got it all except the one thing he wants more than anything.
We’re so excited to announce Savannah Lynne as the Winner of the Marriott Rewards® Card Battle of the Bands! After weeks of fan voting, Savannah was selected through an exclusive ReverbNation opportunity to open for country music star Tyler Farr! Read on to learn about her experience.
Hi Savannah Lynne, congratulations on winning the Marriott Rewards® Credit Card Battle of the Bands! You grew up on the islands of Hawaii and moved to Nashville when you were 14. How did both environments influence your music style? Growing up on Maui, I was surrounded by many different types of music which also included country. I found I was drawn more to country than the other genre, however I did listen to many other genres during this time as well which is reflected in my first EP “Aloha Nashville.” After living in Nashville for the past 3 years, the other genres still make their appearances in much of my writing even though I would classify myself as a country-pop artist, I don’t only write country-pop songs. I like many of my songs to straddle so many lines that depending on the producer who cuts the song, they could fall into more than just the country-pop genre.