You might not think of it this way, but making music is risky. What if what you come up with is bad? Or, almost worse, what if you love what you write but it doesn’t click with anyone else? Self-doubt is a major hurdle that keeps musicians from meeting their potential, but there’s another culprit out there that’s just as dangerous for songwriters but far less talked about: disorganization. Creating a songwriting schedule is a solid way to ensure you reach your goals by getting big things done incrementally and consistently.
The folder on our hard drive that contains all the unfinished musical projects that we just can’t seem to finish. While not every song that we start is going to be finished and released, our goal should be to minimize the number of tracks that end up in this folder. Finishing your music is no simple task, but with a few changes to your workflow, improved time management, and getting rid of distractions, you can start to reduce the number of tracks that end up staying in the unfinished track folder.
Below I have compiled a list of the 5 tips to help you finish your tracks.
Creating a professional record has never been easier. All you need is a pair of headphones and a laptop and you have all the tools necessary to succeed. While the tools necessary to accomplish your music related goals may be readily available, the skill set required to reach a competent level of production is not. In addition to having the right tools, you need the skills to use these tools effectively.
Below, I have compiled a list of the five fundamental skills of successful music producers and how you can obtain these skills.
Making music is something the world has a romantic perception of, which means that giving up is typically looked at as a sign of weakness. But make music long enough, and you’ll soon see that scaling back, changing course, or quitting in music is essential at times. Here are three times when taking a break from music makes sense.
There’s a stigma amongst musicians about performing on stage with a backing track for the simple fact that most artists are largely expected to be the ones responsible for generating all the sounds coming from the stage. But with things like bedroom producers gaining popularity and more solo artists looking for ways to save money on the road, the use of backing tracks is becoming a more frequent occurrence on stage. Even traditional bands are beginning to broaden the creative potency of their live sound by way of backing tracks. But stigmas aside, playing to a backing track can be complicated, frustrating, and possibly detrimental for an artist’s live performance.
For many musicians, songwriting is a reliable way to escape their current circumstances. This especially applies to those living in places they don’t like. But whether you love or loathe where you currently live, where you’re located has a big impact on the music you’re making. Here are a couple of ways how.
Creating music is something that’s hugely rewarding and cathartic for most musicians, but that doesn’t mean it’s easy to make. For some, the pressures of family and non-musical careers slowly edge out music-making priorities until there’s no resources left to devote to it. Others step back from music because of the innate and unavoidable challenges that come along with it. If you’re someone that’s taken a break from music and wants to get back into the swing of things, there are things you can do to make it a part of your life again. Here are five tips:
With the way the music industry has transformed to favor the instant gratification of playlists over the past couple of years, musicians are rethinking the ways they work in some significant ways. Chiefly, the breakdown of the album as music’s main music-listening format is forcing musicians of every stripe to approach making and releasing music differently to cater to music-addicted audiences with perpetually diminishing attention spans. Releasing more music more often is the only way to keep listeners engaged, conventional music industry wisdom dictates. But for as much as a non-stop musical race might sound doable to some musicians, it’s an approach that isn’t likely to work for most of us.