Writing music for the first time can be one of the most exciting things in the world, no matter your age and ambition. Whether you’re still in high school or have been a musician for decades, writing music is an experience different than anything else. But things like fear of failure and not knowing where to begin keeps a lot of musicians from writing music. If you’re someone interested in writing music for the first time, here are three things to remember during the process:
You might not think of it this way, but making music is risky. What if what you come up with is bad? Or, almost worse, what if you love what you write but it doesn’t click with anyone else? Self-doubt is a major hurdle that keeps musicians from meeting their potential, but there’s another culprit out there that’s just as dangerous for songwriters but far less talked about: disorganization. Creating a songwriting schedule is a solid way to ensure you reach your goals by getting big things done incrementally and consistently.
The folder on our hard drive that contains all the unfinished musical projects that we just can’t seem to finish. While not every song that we start is going to be finished and released, our goal should be to minimize the number of tracks that end up in this folder. Finishing your music is no simple task, but with a few changes to your workflow, improved time management, and getting rid of distractions, you can start to reduce the number of tracks that end up staying in the unfinished track folder.
Below I have compiled a list of the 5 tips to help you finish your tracks.
For many musicians, songwriting is a reliable way to escape their current circumstances. This especially applies to those living in places they don’t like. But whether you love or loathe where you currently live, where you’re located has a big impact on the music you’re making. Here are a couple of ways how.
Creating music is something that’s hugely rewarding and cathartic for most musicians, but that doesn’t mean it’s easy to make. For some, the pressures of family and non-musical careers slowly edge out music-making priorities until there’s no resources left to devote to it. Others step back from music because of the innate and unavoidable challenges that come along with it. If you’re someone that’s taken a break from music and wants to get back into the swing of things, there are things you can do to make it a part of your life again. Here are five tips:
With the way the music industry has transformed to favor the instant gratification of playlists over the past couple of years, musicians are rethinking the ways they work in some significant ways. Chiefly, the breakdown of the album as music’s main music-listening format is forcing musicians of every stripe to approach making and releasing music differently to cater to music-addicted audiences with perpetually diminishing attention spans. Releasing more music more often is the only way to keep listeners engaged, conventional music industry wisdom dictates. But for as much as a non-stop musical race might sound doable to some musicians, it’s an approach that isn’t likely to work for most of us.
Filling a blank computer screen or piece of white paper with original song lyrics is no easy task. Some songwriters struggle with the thought that what they write might be too revealing while others fear that what they come up with is too boring, cliche, or dull. The lyrical part of songwriting proves to be the most challenging for many otherwise talented songwriters, which means it’s something we should talk about.
No matter what your unique challenges are for writing great song lyrics, one thing is sure to help: paying attention.
Creative risk-taking flies in the face of so much we think, feel, and do as serious musicians. The process of learning an instrument, making music, and sharing it with the world requires a great deal rigid predictability––regular practice, lots of discipline, showing up to shows on time, playing the same music over and over again until you get it right. Predictability and sticking to the rules is great as far as learning an instrument and maintaining a musical project goes, but if you’re interested in writing creative music, it can be much more of a hindrance than an asset.