Limiters are an integral part of any mixing and mastering toolbox and are necessary for creating a professional mix.
However, limiters are often misunderstood and misused when mixing and mastering. Many producers struggle to understand just how to apply a limiter to their tracks. In this article, I am going to go over three different ways that you can use a limiter on your tracks for a more professional-sounding mix.
Learning music theory is a tough sell for some musicians. Since music-making is a rebellious creative pursuit for many, the idea of letting a determined set of rules inform the songwriting process can be unattractive. But the truth is that music theory doesn’t exist to confine or limit musicians. It’s a set of musical principals that are designed to explain and clarify the music we make and hear in the world around us. Musicians lose a valuable tool in their songwriting arsenals when they don’t bother to learn about music theory. If you’re a songwriter interested in learning about theory, here are three basics every musician should master:
Fierce Panda Records has a storied and reputable history of putting out early records from some of music’s most prolific bands. The UK-based label has released early records from the likes of Coldplay, Oas*s, Death Cab For Cutie, and many more. Now in its 25th year, fierce panda has proven that it has the chops to identify and launch musical careers with precision and poise.
Fierce Panda recently signed The Comstocks to its iconic roster as a result of its latest ReverbNation Opportunity. The indie alt-rock band caught the eye of fierce panda thanks to their unique, hefty, and raw sound. By the looks of fierce panda’s current roster, as well as its impressive list of label alumni, we think The Comstocks are going to fit in just fine.
[SAVE THE DATE] The Comstocks’ newest single “Six Months” is releasing on October 4, 2019 on your favorite streaming services. Click here to pre-save the song.
With a quarter-century of experience under their belt, we thought it would be great to have a chat with the team at fierce panda and pick their brains on all things music. Learn what it’s like to run an independent label, what specific things can cause a great band to not get signed, and so much more in this delightful interview.
You’ve finally decided to take the leap. You know you need to break out of your city and get in front of your fans across the country or maybe even the world, and you’re all in. There’s just one small obstacle…you’re kind of broke.
Hey, it’s ok! As a working musician, in the early days especially, it might be hard to scrape together the cash for an expansive or robust tour. Don’t forget, your favorite bands started on a diet of rest stop food and crossing their fingers that their van didn’t break down in the middle of the desert.
Which brings me to this…when you’re setting out on tour, there are a lot of ways to save your pennies and still have an amazing time. The first step, of course, is figuring out what you can really afford, so be sure that before you map out your tour you have a solid budget in mind (IE your max spending allowance for every category: food, hotel, repairs, etc) and then stick to it.
One of the biggest problems that music producers face when mixing their music is creating a clean, clear, and present mix. If you are looking to create a professional-sounding mix, then having a clean mix is a must.
Musicians often view the sound quality of their live shows as something left up to chance. Roll the dice, and you might get lucky and will be blessed with a skilled, patient sound engineer who will help you sound your best. But anger the gods, and you’ll have to suffer through a night of feedback squeals and unconfident playing due to mismatched sound levels. We all dream of the day when we’ll be able to afford to pay a personal sound engineer to run sound at our shows, but that’s a reality far out of reach for most musicians. Less-than-ideal sound conditions are unavoidable in live music performance, but there are things we can do to make things easier for the sound engineers we work with.
Nothing feels better in music when your work genuinely clicks with an audience. Many of us make music in the hopes that what we create will go on to help listeners feel understood in some way, and seeing that happen can be an incredible payoff. So incredible, in fact, that a song or album’s success can inform the creative decisions we make in the future. The frustrating thing is that copying the songwriting formula that made an old idea successful and pasting it into a new songwriting context probably won’t result in more great music, and can actually work against you in a big way.
Music production tips and tricks are being released on a daily basis. By doing a quick search on the web, you can find countless articles and videos that go over the latest and best mixing tips. While these tips may be helpful to you in the mixing process, they often just help you mask the fundamental errors that you have in your mix.
Below I have gathered five of the most important and fundamental mixing tips that you aren’t using to help you improve any mix that you are working on.