5 Things To Expect On Your First DIY Tour

If you’re a regular reader of the ReverbNation blog or are just an experienced musician, you already know how unpleasant touring can be for musicians at any level. But there’s something unique and story-worthy when a young band sets out to play a tour they booked themselves for the first time. DIY touring is brutal work but is also the type of stuff that transforms inexperienced musicians into confident performers. For the young and inexperienced, here’s five things to expect on your first DIY tour:

Krissy5 Things To Expect On Your First DIY Tour
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What Music Experimentation Actually Means And Why It’s Hard For Songwriters To Do

Creative risk-taking flies in the face of so much we think, feel, and do as serious musicians. The process of learning an instrument, making music, and sharing it with the world requires a great deal rigid predictability––regular practice, lots of discipline, showing up to shows on time, playing the same music over and over again until you get it right. Predictability and sticking to the rules is great as far as learning an instrument and maintaining a musical project goes, but if you’re interested in writing creative music, it can be much more of a hindrance than an asset.

MikeWhat Music Experimentation Actually Means And Why It’s Hard For Songwriters To Do
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Music Law 101: Common Music Licenses

In our previous posts in our Music Law 101 series, we have covered the basics of copyright law, including the scope of copyright protection, copyright ownership, the exclusive rights of copyright, the duration of copyright protection, transfers and termination of copyrights, and copyright infringement and fair use. In this post, we continue on the topic of copyright law and discuss common music licenses.  

Like any other property, music copyrights and the individual exclusive rights thereof, can be transferred, sold, licensed, and divided among several owners.  In general, to use recorded copyrighted music, you will need permission from both the musical work owner (typically a publisher) and the sound recording owner (typically a record company).  Note, however, if you re-record a song (instead of using a pre-recorded version), permission generally is only required from the musical work owner (since you are not using someone else’s sound recording).

AgniMusic Law 101: Common Music Licenses
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Why Promotion And Image Can Only Get Your Music So Far

A quick internet search will give you a myriad of ways to promote your music and cultivate your identity as an artist. There’s no getting around the fact that putting thought into the way you present and market yourself as an artist gives you the best chance at getting your music heard in this brutally competitive music climate. But artists get it wrong when they put image and promotion over everything else when it comes to their work.

DaveWhy Promotion And Image Can Only Get Your Music So Far
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An Interview With How’s Harry: A Real-Life Hummus Band

Hailing from Southeast London, Hows Harry – comprised of Loz Andrew (Drums), Rupert Colegrave (Guitars), Ike Foulkes (Vocals), and Tom Davies (Bass), has been hard at work building a reputation as a thrilling live band.

The band has been crafting its unique sound from the very beginning, blending indie rock, dark pop, hip-hop, and countless other influences. This distinctive style caught the attention of fierce panda records, who signed How’s Harry after submitting to a ReverbNation Opportunity.

We sat down with How’s Harry to see how life has been going since being signed. In this interview, you’ll learn what makes the band so special, who the band’s resident goofball is, and much more.

Note: The following interview is guaranteed to make you hungry.

JamesAn Interview With How’s Harry: A Real-Life Hummus Band
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Why Press And Radio Outlets Haven’t Caught Up To Music Streaming

Music has changed in some remarkable ways over the past couple of years. Playlists are giving massive amounts of exposure to previously unknown artists of every age and experience level and analytic information provided by streaming platforms can now tell musicians detailed information about just who is listening to their music and how they discovered it.

But the biggest change in music we’re seeing is the breakdown of the album format. In 2016, researchers found that listeners were beginning to listen to music more on playlists than they were through traditional albums. This represents an Earth-shattering change for the music industry, and we’re nowhere near the point of being able to comprehend what it all means. But something that’s easy to see in the short term is that press and radio outlets appear to be slow to adjust to music’s new reality.

AgniWhy Press And Radio Outlets Haven’t Caught Up To Music Streaming
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New Year Check-In: Are You Making The Most Of Your Resolutions?

Ah, 2019. After another year filled with trials and tribulations, learning experiences, and the moments that made us, we’re graced with the opportunity to truly take stock of what the year meant and how we can improve on all that was (and was not) in 2018, and apply it to making 2019 our best year yet.

As exciting as a New Year is, it’s only as good as the promises you keep. Meaning, now that we’re a couple weeks in, it can be easy to slip into old habits, leaving your New Year’s resolutions in the dust.

Want to make sure that doesn’t happen? We’ve created a checklist to make sure you’re continuing to make the most of those resolutions now and throughout the year.

JayNew Year Check-In: Are You Making The Most Of Your Resolutions?
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Having Trouble Finding Something To Write About?

Songwriters often struggle with not knowing what to write music about. For some readers, lyrics and written material for songs is something that comes naturally, but for others, finding out what to write music about feels like an insurmountable challenge. If you’re a songwriter that can’t find anything to write about, here are four tips to help:

RebeccaHaving Trouble Finding Something To Write About?
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