As musicians, you have the gift of sensitivity which fuels your creativity and enables you to transmit powerful emotions. It can also make you more vulnerable to setbacks and criticism. These are completely unavoidable and an integral part of the journey. Indeed, few industries are as competitive and unstable as music. So how can you overcome self-doubts and feelings of insecurity in the face of challenges?
Confidence is a very necessary skill to have if you want to succeed in this industry, but it’s a skill that you can learn and develop.
Here are a few ways you can increase your self-confidence so you can get out of your comfort zone, approach people you want to work with, and avoid feeling sick to your stomach before you have to step on stage.
There’s something truly special about the opportunity to assess all that you’ve accomplished in the previous year and plan for a brighter tomorrow. Maybe it’s the planner nerd in me, but there’s just something truly illuminating about the chance to start fresh, give those dreams new life, and build upon the momentum you’ve already created.
To get started, ask yourself these questions, and really take the time to reflect. I suggest going into this with pen and paper and writing down your answers. Not only will it help you articulate your thoughts, but it will give you something to reflect back on.
Ah, the winter slowdown. Without fail, this is one of my favorite times of the year—and not just because I love the sparkle of holiday lights, or the warmth of family togetherness. It’s because it’s that glorious time where everyone is finally backing off their emails, slowing down their hustle, and taking the time to enjoy a bit of down time. Which, all on its own is an important piece of the holiday slowdown. But if you plan it just right, this can actually be one of your most productive times of the year.
Think about it—with everyone else going quiet, it gives you time to properly focus on growing your career, rather than rushing just to maintain it. So get out your calendar, your journal, and your favorite pen, because we’re about to dive into how to make the most of this winter slowdown.
Frosty, Heidi, and Frank have solidified their position as pioneers of the broadcast radio world. From their early talk radio success in Colorado to their current lights-out success of their KLOS 95.5 Los Angeles radio show, Frosty, Heidi, and Frank have been changing the game at every turn.
Most notably, the Frosty, Heidi, and Frank show has exploded in popularity with their “Stay or Go” segment, where independent artists hold the spotlight, play their song on air, and let listeners vote on whether the artist gets another song played, or if they only get that one song. The segment gives independent artists a chance to earn countless new fans, while challenging them to present their best work to the show’s listeners. They’re currently looking to feature up to twelve ReverbNation artists through our opportunity here.
Whether it’s the play-counts you rack up over streaming platforms or the amount of followers you accrue through social media, numbers and statistics have become an almost unavoidable part of being active in music today. But just because you’ve got a perpetual front row seat when it comes to following the numbers behind your music, doesn’t mean you should always be paying attention. In fact, obsessing over your plays, views, followers, and downloads can do more harm than good for your songwriting.
Playlists and streaming technology are upending just about everything in music, and the relationship between fans and musicians is no exception. A decade ago, it’d be safe to call most of an artist’s listeners true fans, but that’s no longer the case. Between the plummeting value of music and how easy it is for fans to listen to and discover new music, more people are listening to more music than ever before––but it takes much more than listening to an artist to become a loyal fan. Here’s three ways casual listeners are different than fans:
Because music is closely intertwined with emotion, musicians often approach their work with unrealistic expectations. Big, vague, and unreachable expectations can be dangerous because they lead musicians to exchange focusing on small successes for ones they’ll never be able to attain. Here’s a list of three unrealistic musical expectations to watch out for: