Performing on stage is something that makes musicians vulnerable no matter what kind of music they make. For many musicians, emotions run high during live performances because there’s so much at stake. When things go well during shows and the connection between listeners and fans is strong, emotions help to fuel the energy in the room and the show is better for it. But when things go bad during a show, the negative emotions, perceptions, and attitudes of performers can get out of hand and ruin a show. Here’s how to keep your negativity from ruining a performance:
Every DAW (Digital Audio Workstation) will come with a large slew of effects and built-in plug-ins. Depending on how long you have been producing, you have already started downloading additional plug-ins outside of the native ones that come with your DAW of choice. Whether you just bought the full Waves plug-in bundle or you’re still experimenting with your native effects, you’re going to end up with a few choices that will certainly land in your go-to folder. Typically, producers and mixers will have their favorite reverbs, compressors, EQs, and basic effects racks. While it is arguably better to master a few plugins than to poorly use hundreds of them, there are pros and cons to using the same effects over and over.
Music is an industry where nothing is guaranteed. Even if you’re talented, lucky, connected, and hardworking, the odds of achieving lasting financial success and notoriety are slim. But like in any profession, there are things bands inadvertently do that thwart their own prospects. Here’s a list of five things that keep bands from being successful:
No matter what kind of music you make, it’s a common goal to be so successful that the price of gas isn’t something you think about much while you’re on the road sharing your music with the world. But for the vast majority of musicians actively developing their careers through touring, the ever-fluctuating cost of filling up is a big concern. For your reading pleasure, we’ve put together a short list of America’s cheapest and most expensive cities for gas.
Making your music available on streaming platforms is becoming less and less of a choice in today’s music industry. And while the way Spotify, Apple Music, and other major streaming companies compensate artists is hugely complex resulting in payments rarely substantial enough to take care of musicians’ bills, artists still have a lot to be excited about when it comes to the world of streaming platforms and playlists.
Ever dreamed about having your own music video? Or wondered how you even go about making a professional music video? We spoke with Jon Farley from The Famous Company about what it’s like to make a music video. They are currently running an opportunity with us, where one ReverbNation artist will be selected for a free one-day location music video in or near London, UK.
The Famous Company provides bespoke high-end services that can be tailored to meet your needs whether you’re a label, manager, artist, or anyone wanting to build a career in the music business. Check out the interview below and find out how to prepare for making your first music video:
If you’re new to making music or are just plain aloof, it might seem like the world of live music is a free-for-all where bands and their fans can do whatever they want, but that attitude is a classic hallmark of being “that guy” when it comes to shows. Music scenes are sort of like elephants in the way that they seem to remember even the smallest details about musicians and how they conduct themselves publicly, so what you do at shows is actually really important whether you’re performing or not. Here’s a few of the more prominent “that guy” traits that every musician should avoid:
Ah, the dreaded bad review. Even the most talented and successful songwriters often question themselves after reading a negative write-up about their music, but negative reviews are especially potent when they’re aimed at new and up-and-coming bands. No matter who you are and what kind of music you make, bad reviews and harsh opinions about what you’re doing are an inevitability, and crafting your music a specific way to please critics will only make your music worse. So, what do you do when a bad review comes along?